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Star Wars

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Extended interview: Jon Favreau

In this web exclusive, Jon Favreau, the creator of the "Star Wars" series "The Mandalorian," and director of the new film "The Mandalorian and Grogu," talks with correspondent Tracy Smith about the myth of "Star Wars," the influences on the story (including Japanese samurai films), and expanding the universe for a new audience. He also talks about working with Robert Downey Jr. on his film "Iron Man," and about cooking, the subject of his 2014 movie, "Chef."

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Jon Favreau on "The Mandalorian and Grogu"

Director Jon Favreau, creator of the "Star Wars" series "The Mandalorian," has now brought Pedro Pascal's bounty hunter and his charge "Baby Yoda" to the big screen. He talks with correspondent Tracy Smith about the handmade feel of the "Star Wars" universe, and how father-son relationships have always been at the heart of the stories set in a galaxy far, far away. He also discusses bringing his improv roots to directing Robert Downey Jr. in "Iron Man."

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Composer John Williams

Composer John Williams is one of America's most celebrated musical talents – the best-known creator of music for films. He has written the scores for such revered classics as "Jaws," "Star Wars," "Superman" and "Schindler's List," and is returning to the "Star Wars" universe with the upcoming "Episode IX: The Rise of Skywalker." Correspondent Tracy Smith talks with Williams, and with violinist Anne-Sophie Mutter, who collaborated with the composer on a new album of works for violin and orchestra adapted from his film scores, "Across the Stars."

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The history of the blockbuster movie

It's been assumed that the Hollywood summer blockbuster was born with the 1975 release of Steven Spielberg's "Jaws," followed two years later by "Star Wars." But the film industry's desire for box office blockbusters existed long before a shark prowled the waters off Amity. Turner Classic Movies host Ben Mankiewicz talks with actor Stephen Lang (star of the "Avatar" films), critic Dana Stevens, and Charles Acland, author of "American Blockbuster," about the origin of blockbuster movies – both big-budget spectacles of Biblical proportions, and low-budget films with heart that won a huge audience.

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