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The designer, fashion entrepreneur and activist writes about how she found inspiration for her Brother Vellies shoes in a medina in Marrakesh, Morocco.
A look at the features for this week's broadcast of the #1 Sunday morning news program, hosted by Jane Pauley.
Preview: In an interview to be broadcast on "CBS Sunday Morning" May 7, the music superstar opens up about his new album, body image, and the copyright infringement case that was decided this week.
In this preview of an interview to be broadcast on "CBS Sunday Morning" May 7, singer-songwriter Ed Sheeran was asked (before a decision was reached in a New York City court) about the lawsuit accusing him of copying key components of Marvin Gaye's classic “Let's Get It On” in his song “Thinking Out Loud.” [On Thursday a jury found Sheeran did not copy Gaye's song.]
This Sunday morning we visit Cades Cove in Great Smoky Mountains National Park in Tennessee. Videographer: Scot Miller
The author of "Taking Care: The Story of Nursing and Its Power to Change Our World" discusses the power of the nurse-patient relationship, and how poor nurse-to-patient ratios can be a matter of life or death.
The author of "Taking Care: The Story of Nursing and Its Power to Change Our World" discusses the power of the nurse-patient relationship, and how poor nurse-to-patient ratios can be a matter of life or death.
An album of dark songs recorded in a bedroom at his rented farmhouse in 1982, reflecting the upheaval in his life in-between "The River" and "Born in the U.S.A.," helped solidify Springsteen's status as one of music's most soulful voices.
In-between his chart-topping album "The River" and his classic "Born in the U.S.A.," Bruce Springsteen recorded a collection of songs on a 4-track cassette recorder in a bedroom at his rented farmhouse - dark, mournful, and rough-hewn songs that reflected the upheaval in his life at a time of rising success. The resulting album, 1982's "Nebraska," would be one of his most personal, and helped solidify his status as one of music's most soulful voices. Springsteen talks with correspondent Jim Axelrod about how "Nebraska" spoke to his evolution as a songwriter. Axelrod also talks with Warren Zanes, author of the new book, "Deliver Me from Nowhere: The Making of Bruce Springsteen's 'Nebraska'."
The "Family Ties" and "Back to the Future" actor who's become just as famous for his very public fight against Parkinson's looks back on superstardom; the recently-announced advance in Parkinson's research; and the new documentary about his life, "Still."
One of the most famous actors to burst onto the scene in the 1980s, Michael J. Fox has become almost as famous for his very public fight against Parkinson's disease. With "Sunday Morning" anchor Jane Pauley, the "Family Ties" and "Back to the Future" star looks back on superstardom, raising $1.5 billion for Parkinson's research, and a new documentary tracing his life, called "Still."
The lengths to which Indianapolis newborn intensive care nurse Katrina Mullen went for premature triplets, and their 14-year-old mother, was beyond compare. Steve Hartman reports.
On Coronation Day for Britain's new king, bells in churches across the United Kingdom will be rung. Bell ringing is a tradition that dates back centuries. But a shortage of bell ringers meant an appeal was made for volunteers. Correspondent Seth Doane gets an earful as he checks out rehearsals for the big day.
The "Will & Grace" star is now on Broadway as Oscar Levant, the witty and eccentric musical celebrity whose mental health struggles and addictions come front-and-center during a 1958 appearance on Jack Paar's "The Tonight Show."
In the new Broadway play "Good Night, Oscar," Sean Hayes, the Emmy Award-winning star of "Will & Grace," appears as the witty and eccentric musical star Oscar Levant, whose mental health struggles and addiction to drugs would come front-and-center during a 1958 appearance on Jack Paar's "Tonight Show." Correspondent David Pogue talks with Hayes about conjuring Levant on stage; and with Pulitzer Prize-winning playwright Doug Wright about the darkness at the center of the play's central figure.
