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For 70 years, Floyd Norman brought drawings to life, animating some of Disney's most beloved stories, like "The Jungle Book" and "Mulan." And even after he was asked to retire, the first Black animator at Disney kept showing up at the office, mentoring and advising young animators. Correspondent Faith Salie talks with Norman (honored this weekend with a lifetime achievement Oscar) about a career marked by optimism, magic, and a wicked sense of humor.
With her in-person and virtual painting workshops and online tutorials, artist Mary Whyte teaches veterans to use art to deal with isolation and trauma through her "watercolor boot camps."
Artist Mary Whyte is creating a record of those whose labors reflect a changing world. Correspondent Martha Teichner talked with Whyte about her watercolor portraits of men and women - a movie projectionist, a textile mill worker, a fisherman - that can become, Whyte says, "a person's resume of their life," in this "Sunday Morning" story that originally aired on Sept. 5, 2010.
In his latest exhibition, at the University of Michigan Museum of Art in Ann Arbor, artist Rick Lowe explores a complex, untold story of Black America, by translating socio-economic data about progress made by Black Americans into art. Correspondent Martha Teichner talks with Lowe about his own life's upward trajectory.
An exhibition at the Detroit Institute of Arts, "Georgia O'Keeffe: Architecture," is painting a different portrait of the artist, best known for her depictions of flowers and desert landscapes.
An exhibition at the Detroit Institute of Arts is painting a different portrait of Georgia O'Keeffe, best known for her depictions of flowers and desert landscapes. "Georgia O'Keeffe: Architecture" explores the artist's paintings of buildings, from cityscapes to rural settings, and how O'Keeffe captured qualities of light, atmosphere and texture found in man-made structures. Jane Pauley reports.
In movies and TV, vampires – the blood-sucking undead – have held a firm grip on the public's imagination. That popularity has now extended to Broadway. Correspondent Tracy Smith talks with actors L.J. Benet and Ali Louis Bourzgui, and director Michael Arden, of "The Lost Boys," which has avoided the stake in the heart that befell other Broadway vampire musicals. Smith also talks with film professor Rebekah McKendry about vampire lore in the media.
In a story that aired Aug. 30, 1981, "Sunday Morning" visited Georgia O'Keeffe, who became inextricably linked to the landscapes and desert flowers of New Mexico. To honor the artist, the Santa Fe Chamber Music Festival had commissioned and dedicated to O'Keeffe a piano quintet by composer John Harbison – music that, like O'Keeffe's paintings, translates stark and unfilled spaces. Reported by Bruce Morton.
"Lincoln in the Bardo," based on George Saunders' novel, is the first opera composed by a woman to premiere at the Metropolitan Opera. Missy Mazzoli talks about its creation, and the influence that punk rock and music videos had on her work.
They're painted advertisements from long ago, for businesses that may have since died. But remnants of these "ghost signs" still remain, haunting our urban spaces – and one artist is bringing ghost signs back to life.
Glass artist Paul Stankard, whose delicately-crafted paperweights were displayed in museums around the world, died on October 6, 2026 at age 83. In this April 26, 2015 "Sunday Morning" report, Martha Teichner visited Stankard at his New Jersey studio, where the self-taught paperweight-maker demonstrated the remarkable process of creating a tiny world of nature out of glass.
"Other Desert Cities," Jon Robin Baitz's acclaimed play about family schisms and an untold past, has returned to New York, starring Broadway veterans Allison Janney, Ed Harris and Lily Rabe, along with "Veep" star Julia Louis-Dreyfus and Joe Keery of "Stranger Things" making their Broadway debuts. They talk with correspondent Tracy Smith about the dramatization of grief, the challenges of live theater, and how doing plays is like coming home.
Lee Krasner has long been eclipsed by the shadow of her husband, Jackson Pollock. Now, a landmark show in New York City rewrites the story of the artists whose work and legacies were – aesthetically and personally – bound together.
In the 1940s and '50s, Jackson Pollock and Lee Krasner sent a seismic tremor through the art world. But Krasner has long been eclipsed by the shadow of her husband, even after his death in 1956. Now, correspondent Anthony Mason reports on the Metropolitan Museum of Art in New York's landmark show that rewrites the story of Krasner and Pollock, two artists whose work and legacies were – aesthetically and personally – bound together.
Jane Pauley explores the latest art exhibits at museums across the country this fall, including a joyous and colorful look at three-dimensional works by Keith Haring at the Crystal Bridges Museum of American Art in Bentonville, Arkansas.
