Dan Robbins (May 26, 1925-April 1, 2019) was working for the Palmer Paint Company in Detroit in the 1950s when he came up with an idea that would become a pop culture sensation across America: paint-by-numbers sets, in which hobbyists would fill in canvases resembling topographical maps with assigned colors. In 2001, upon the occasion of a Smithsonian exhibition of paint-by-numbers art, Robbins told "Sunday Morning," "When people asked me how I came up with the idea for paint-by-numbers, I tell them I didn't; Leonardo da Vinci did!" (Apparently the Master used the technique to instruct his students.)

Among the first of Robbins' kits was "Abstract No. 1," a quasi-Picasso composition that one hobbyist filled in with the required 22 colors, entered into an art show, and won, embarrassing the judges and providing much publicity for the kit's producers.

The fad endured for a time, selling tens of millions of sets, depicting landscapes, still lifes, or real-life artistic masterpieces, ready to be reproduced one number at a time. Paris street scenes were popular subjects for paint-by-numbers painters – not surprising given the city's association with the fine arts.

Art snobs may have sniffed, but paint-by-numbers had its fans, and even collectors, and Robbins' artwork (albeit filled in by countless others) decorated more walls than perhaps any other artist.

Robbins understood the public's fascination with the hobby kits. "People still like the experience of picking up a brush, dipping it in paint, and watching whatever they're doing come to life," he said. 

The rapper Ermias Asghedom, known by the name Nipsey Hussle (Aug. 15, 1985-March 31, 2019), said his first passion was music, but getting resources in his troubled South Los Angeles neighborhood of Crenshaw was tough, after leaving his mother's house at 14 to live with his grandmother. Hussle said he got involved in street life as he tried to support himself, and he joined the gang Rollin 60's Neighborhood Crips as a teenager. Music eventually happened for Hussle, who said in interviews that his stage name – a play on the rhyming standup comic Nipsey Russell – was given to him as a teen by an older friend because he was such a go-getter, always hustling.

Hussle created a buzz among rap purists with a number of successful mixtapes he sold out of the trunk of his car. In 2010 he placed on hip-hop magazine XXL's "Freshman Class of 2010," a coveted list for up-and-coming hip-hop acts. He scored big when Jay-Z bought 100 copies of his 2013 mixtape "Crenshaw" for $100 each, and sent him a $10,000 check.

"Victory Lap," his critically-acclaimed major-label debut album from Atlantic Records, debuted at No. 4 on Billboard's 200 albums charts and featured collaborations with Kendrick Lamar, Diddy, CeeLo Green and more. It made several best-of lists last year, and was nominated for a Grammy for Best Rap Album.

By besides musicians, Hussle was inspired by entrepreneurs. Hussle said he wanted to provide hope and motivation to those who, like him, grew up in Crenshaw, and pay it forward. He founded a clothing store to help rebuild his troubled neighborhood, working to provide youths with alternatives to the hustling he did when he was younger. Forbes magazine reported in February that with business partner Dave Gross, the rapper had purchased the Crenshaw plaza where his Marathon Clothing store is located, and had plans to knock it down and "rebuild it as a six-story residential building atop a commercial plaza where a revamped Marathon store will be the anchor tenant."

"The vision is to launch franchises," he told Forbes. "There's such a narrative to this parking lot – that's part of my story as an artist."

Nicknamed the "Mother of the French New Wave," filmmaker and activist Agnès Varda (May 30, 1928-March 29, 2019) was a trailblazing artist who became the first female director to receive the Academy's Governors Award for lifetime achievement. Her rich filmography of both fiction and non-fiction includes such movies as "Cleo from 5 to 7" (1961), a story, told in real time, of a young woman awaiting the results of a cancer screening.

Varda (who would marry Jacques Demy, director of "The Umbrellas of Cherbourg") explored themes of illness and relationships going back to her debut, in 1954, with "La Pointe Courte," which followed a couple going through a crisis in the small port of Sete on the Mediterranean coast. The film was dismissed by some (Variety sniffed that it had been made by "a 25-year-old girl"), but it won her support to make several short films and documentaries. Then "Cleo" brought her tremendous critical and commercial success.

Her fiction films included "The Creatures," starring Catherine Deneuve and Michel Piccoli; "One Sings, the Other Doesn't"; "Vagabond," starring Sandrine Bonnaire in the tragic tale told in flashbacks of a young woman wandering to her death; and "Kung-fu Master!" which starred Jane Birkin, Charlottes Gainsbourg, and her son, Mathieu Demy. 

But Varda was even more prolific as a documentary filmmaker, directing "Black Panthers," "Women Reply," "Daguerréotypes," "The Gleaners and I," and "The Beaches of Agnes," and contributing to the anthology "Far From Vietnam."  Her 1981 documentary "Murs Murs," about mural artists in Los Angeles and the walls they decorate, was shot as a companion piece to her fiction film, "Documenteur."

Her 2017 documentary with street artist JR, "Faces Places," received an Academy Award nomination, making her, at 89, the oldest person ever nominated for an Oscar.

Varda was honored last month with a lifetime achievement award at the Berlin Film Festival, where her final film, the autobiography "Varda by Agnès," was shown. The festival had its highest number of women directors yet, some of whom named Varda as an inspiration.

Talking about the movie, which encapsulates her career with clips of her earlier films and interviews with collaborators, she remarked, "I'm very interested in other people, and in the film you saw a lot of people who have been so important to me … I have to prepare myself to say goodbye and go away."

Tattoo artist Lyle Tuttle (October 7, 1931-March 25, 2019) was often called the father of modern tattooing. Growing up in Northern California's Ukiah Valley, he was fascinated by the tattoos of sailors and others, signs that they'd "been someplace." He got his first tattoo, at age 14, in San Francisco – a heart decorated with the word "Mother," on his right forearm. Tuttle dropped out of school and – apart from a few years with the Marines during the Korean War – worked with noted tattoo artists in the Bay Area, Long Beach, and Alaska.

And who could ignore his walking advertisement of his craft, and his life's passion? Every square inch of Tuttle's body, except his face, hands and feet, were covered with tattoos. "Tattoos are like plaques or postcards," Tuttle told the San Francisco Chronicle in 2002. "They are a montage of your life. They tell stories."

He would increase the popular acceptance of tattoos when, in the late 1960s, his San Francisco shop became a destination for musicians such as Janis Joplin, Joan Baez, the Allman Brothers, and Cher. Tuttle became a rock star himself, profiled in Life and Rolling Stone magazines.

"I used to joke saying I was in more panties than gynecologists," he told "Sunday Morning" in 2015, "because a favorite spot for ladies to get tattooed was inside the bikini line."

As a child, he listened to Lebanese and Polish folk tunes played by his parents. Eventually he graduated to big band, swing, country and rockabilly. The self-taught guitarist Richard Monsour, who performed under the name Dick Dale (May 4, 1937-March 16, 2019), would test guitars for legendary instrument builder Leo Fender, blowing out amplifiers and shredding guitar picks with abandon.

An avid surfer, Dale started building a devoted Los Angeles fan base in the late 1950s with repeated appearances at Newport Beach's old Rendezvous Ballroom. His pounding, blaringly loud power-chord instrumentals on a custom-made Fender Stratocaster guitar on songs like ''The Wedge" and ''Night Rider" earned Dale the title "King of the Surf Guitar." Dale said he developed his musical style when he sought to merge the sounds of the crashing ocean waves he heard while surfing with melodies inspired by the rockabilly music he loved. He pounded rather than plucked the strings of his guitar, in a style he said he borrowed from the great jazz drummer Gene Krupa.

His signature song, "Miserlou," was adapted from a Middle Eastern folk tune Dale heard as a child.

Play an excerpt from "Miserlou"

Play an excerpt from "Let's Go Trippin'"

When the first of a series of "Beach Party" movies was released in 1963, it featured Dick Dale and the Del-Tones performing "Secret Surfing Spot" as teen heartthrob Annette Funicello danced on the beach. Dale released several albums in the '60s, while appearing in "Beach Party" sequels and other surfer movies.

His career faded for a time after British pop dominated the airwaves in the '60s, and he was sidelined by a battle with cancer and, later, a serious foot infection that was the result of a surfing injury. But he was back in the spotlight when he and Stevie Ray Vaughan teamed up to record the classic surf instrumental "Pipeline" for the 1987 film "Back to the Beach," earning the pair a Grammy nomination. In 1993 he released "Tribal Thunder," his first album of all-new material in nearly 30 years. Then, in 1994 director Quentin Tarantino chose "Miserlou" as the theme song for "Pulp Fiction," earning the song cult status with a new generation.

A Pulitzer Prize- and National Book Award-winner and former U.S. poet laureate, W.S. Merwin (September 30, 1927-March 15, 2019) was a prolific and versatile poetry master who evolved through a wide range of styles as he celebrated nature, condemned war and industrialism, and reached for the elusive past.

At age five he wrote hymns for his father, a minister. He attended Princeton University, lived for many years abroad, and later studied Zen Buddhism, living in a solar-powered house he designed on an old pineapple plantation in Hawaii. He completed more than 20 books, from early works inspired by myths and legends, to fiery protests against environmental destruction, nuclear weapons, and the conflict in Vietnam, to late meditations on age and time. He wrote rhymes and blank verse, translated Dante's "Purgatorio" and "Sir Gawain and the Green Knight," and penned a book-length story in verse about colonialism and the birth of modern Hawaii. Like his hero, Henry David Thoreau, he was inspired equally by reverence for the planet and anger against injustice.

Citing the Vietnam War, he declined a Pulitzer in 1971 for "The Carrier of Ladders," saying that he was "too conscious of being an American to accept public congratulation with good grace, or to welcome it except as an occasion for expressing openly a shame which many Americans feel."

He founded the Merwin Conservancy, as a retreat aimed at inspiring innovation in the arts and sciences, and helped restore the palm forests on Maui.

"There was something incomplete about the world of streets and sidewalks and cement," he told the Paris Review in 1986. "I remember walking in the streets of New York and New Jersey and telling myself, as a kind of reassurance, that the ground was really under there."

Every year without knowing it I have passed the day
When the last fires will wave to me
And the silence will set out
Tireless traveler
Like the beam of a lightless star.

Then I will no longer
find myself in life as in a strange garment
Surprised at the earth
And the love of one woman
And the shamelessness of men
As today writing after three days of rain
Hearing the wren sing and the falling cease
And bowing not knowing to what.

– "For the Anniversary of My Death" (1993)

Despite rural Indiana's red roots, liberal Democrat Birch Bayh (January 22, 1928-March 14, 2019) won three elections to the U.S. Senate beginning in 1962. Bayh sponsored a constitutional amendment lowering the voting age to 18 amid protests over the Vietnam War, and helped craft the 25th Amendment on presidential succession.

But it was his work to pass the landmark Title IX law that solidified his legacy. He wrote and was the lead sponsor of the 1972 law, which prohibits gender discrimination in education - known as Title IX for its section in the Higher Education Act.

The law's passage came at a time when women earned fewer than 10 percent of all medical and law degrees, and fewer than 300,000 high school girls - one in 27 - played sports. Now, women make up more than half of those receiving bachelor's and graduate degrees, and more than 3 million high school girls - one in two - play sports.

Bayh was also a leading sponsor of the Equal Rights Amendment, which would have barred discrimination on the basis of gender. (It passed Congress but failed to win approval from two-thirds of the states by its 1982 deadline.)

After leaving the Senate, Bayh worked as a lawyer and lobbyist in Washington, while his son, Evan, was elected to two terms as governor before heading to the Senate himself.

The elder Bayh seemed to revel in the change brought about from the Title IX law, describing it as the most important legal step for equality since the right of women to vote was guaranteed by the 19th Amendment, in 1920.

"There was a soccer field I used to jog around," he once said. "One day, all of a sudden, I realized that half of the players were little girls and half of them were little boys. I realized then that that was, in part, because of Title IX."

The winner of a Grammy Lifetime Achievement Award last year, virtuoso drummer Hal Blaine (February 5, 1929-March 11, 2019) was a member of the famed Los Angeles-based group of session musicians known as "The Wrecking Crew." Possibly the only drummer to have backed Elvis Presley, The Beach Boys, Frank Sinatra AND John Lennon, Blaine has been credited with performing on between 6,000 and 35,000 songs. Whatever his copious output, he was likely the most recorded drummer in history, playing on 40 No. 1 hits and 150 top 10 songs, including "Return to Sender," "Strangers in the Night," Simon & Garfunkel's "Bridge Over Troubled Water," The Byrds' "Mr. Tambourine Man," Barbra Streisand's "The Way We Were," the Beach Boys' "Good Vibrations," and the theme songs to "Batman" and ''The Partridge Family."

Perhaps his most memorable riff was the "on the four" opening for the Phil Spector recording of the Ronettes' "Be My Baby." In a 2005 interview with Modern Drummer magazine, Blaine said that he likely came up with the solo when he accidentally missed a beat, and improvised by only playing the beat on the fourth note. "And I continued to do that," he recalled. "Phil might have said, 'Do that again.' Somebody loved it, in any event. It's just one of those things that sometimes happens."

Play an excerpt from "Be My Baby"

Play an excerpt from "Good Vibrations"

Kelly Catlin (November 3, 1995-March 8, 2019) entered the sport of cycling in 2012, at age 17, after suffering injuries as a runner. By 2016 she was on the first American women's pursuit team to win the world championship – a feat they repeated in 2017 and 2018. Catlin and her teammates also won the silver medal in women's pursuit at the 2016 Rio Olympics.

Last September, at the Pan-American Track Cycling Championships in Mexico, Catlin took the gold medal with a time of 3:23.1 – the third-fastest time in history in Individual Pursuit. She also raced on the road for the Rally UHC Pro Cycling Team, all while pursuing a graduate degree in computational mathematics at Stanford.

In a journal she wrote for Velonews.com, Catlin answered the question of how she balances three competing careers: "Easy. I don't balance them ...

"The greatest strength you will ever develop is the ability to recognize your own weaknesses, and to learn to ask for help when you need it. This is a lesson I have only just begun learning, slowly and painfully, these first few months as a graduate student. I still fail. As athletes, we are all socially programmed to be stoic with our pain, to bear our burdens and not complain, even when such stoicism reaches the point of stupidity and those burdens begin to damage us. These are hard habits to break.

"Do you want an example? I once studied for 12 hours during my recovery day, only to realize I needed a recovery day from that 'recovery' day."

Luke Perry (October 11, 1966-March 4, 2019) gained instant heartthrob status playing bad boy Dylan McKay in the 1990s series "Beverly Hills, 90210."

He started out as a child actor, landing roles in the soaps "Another World" and "Loving," a far cry from the rich kid lothario he played on "90210." So enamored were the show's female viewers with Dylan McKay that, during a personal appearance in Washington early in the show's run, Perry had to escape a crowd of several thousand fans by being stashed in a laundry hamper.

But he defended the show from accusations that the teen series was superficial. "I think we've proven that we have some real substance," he told the Chicago Tribune in 1991. "Other shows about teenagers are either preachy or put on a candy-coated view of life. We're not preachy, and we're certainly not candy-coated.''

Perry later starred in the series "Jeremiah," "John From Cincinnati," "Ties That Bind" and "Body of Proof," and recently played the father of Archie Andrews on "Riverdale." He also appeared in HBO's prison drama "Oz," and on Broadway played Brad in a revival of "The Rocky Horror Show."

His film roles included "Buffy the Vampire Slayer," "The Fifth Element," ''8 Seconds" and "American Strays"; his last is in Quentin Tarantino's upcoming "Once Upon a Time in Hollywood."

Perry didn't mind the long-lasting association with "90210." As he told the Swedish paper Aftonbladet in 2008, "I created Dylan McKay. He's mine."

Keith Flint (September 17, 1969-March 4, 2019) was lead singer of the influential British dance-electronic band The Prodigy, which produced an incendiary fusion of techno, breakbeat and acid house music. Formed in the early 1990s, The Prodigy was known as much for its overt anti-establishment stance as for its music. (The band members were vocal critics of the U.K.'s 1994 Criminal Justice and Public Order Act, which banned raves popularized in the late-1980s during the so-called "Second Summer of Love.")

The Prodigy sold 30 million records, and helped to take rave music from an insular community of party-goers to an international audience. They had seven No. 1 albums in Britain, most recently "No Tourists" (2018).

Flint (whose 1990s hits included "Firestarter" and "Breathe") was renowned for his manic stage energy and distinctive look: black eyeliner and hair spiked into two horns.

PLAY EXCERPT: "Firestarter" by The Prodigy

Despite his outlandish stage presence and energy, Flint wrote in The Guardian in 2009, "I'm not sure if I'd call myself an extrovert. I think I'm a bit contradictory. I like being endearing and venomous at the same time. I guess it's one part of myself fighting against the other part, proving that I'm not that nice all the time. …

"There is something about being on stage that's a release for me. It gets my mental energy out. That's why I'm really honest on stage; I'm not there for the beauty of my voice or to be the best dancer; I go out to express myself and stir up the audience. I'm like the guy that jumped on stage at a gig and didn't get thrown off. And that's who we perform for too, that guy."

Detroit Red Wings great and Hall of Famer Ted Lindsay (July 29, 1925-March 3, 2019) was a nine-time All-Star and one of the game's best left wings, bringing muscle and meanness to the Red Wings' "Production Line" of the 1950s. He won four Stanley Cup titles with Detroit, and is credited with beginning the tradition of skating around the ice hoisting the trophy.

Over a 17-year career Lindsay played in 1,068 NHL regular-season games and 133 playoff games. He had a cumulative 426 goals and 521 assists.

He was clearly deemed a threat. During the 1956 playoffs against the Toronto Maple Leafs, he and fellow Red Wing Gordie Howe received death threats, saying they would be shot if they played. The two took to the ice anyway, and Lindsay scored the game-tying goal, and the winning goal in overtime. He then mocked the booing Toronto fans by aiming his hockey stick like a rifle and "firing" it into the crowd, drawing applause. "After I went to center ice and did what I did, they started clapping," he later recalled. "They figured, 'This Lindsay guy isn't that bad.'"

The Hockey Hall of Fame waived its three-year waiting period when it inducted Lindsay in 1966, and in 2010, the NHL Players' Association renamed its version of the Most Valuable Player award after him. He also worked with other NHL players to organize the original Players' Association.

In recent years his Ted Lindsay Foundation has donated money to research for children with autism.

In 2018 the 5-foot-8 Lindsay, a legend for his roughhousing ways on the ice (he is calculated to have spent a cumulative 30 games in the penalty box), told the Detroit News, "I never worried about big guys. Big, big guys fall farther than little guys."

Since 1989, Pulitzer Prize-winning photojournalist Yannis Behrakis (1960-March 2, 2019) has been on assignments for Reuters across Europe, the Mideast, Asia and Africa. The Greek native often worked in conflict zones, including Afghanistan, Chechnya, Croatia, Iraq, Syria and Sierra Leone (where in 2000 he was ambushed and barely escaped; two colleagues were killed). He also covered the funeral of Ayatollah Khomeini in Iran; the "Arab Spring" uprising in Egypt in 2011; and an earthquake in Kashmir.

Behrakis led a team of Reuters photographers to the 2016 Pulitzer Prize for their coverage of the refugee crisis. One of his photos from that assignment, a Syrian carrying his young daughter in his arms during a storm and kissing her (right, center), was one of his favorites.

One colleague described Behrakis as a "hurricane," working at all hours, even at personal risk, to get the image he wanted.

Behrakis once said, "My mission is to tell you the story … to make sure that nobody can say: 'I didn't know.'"

To view more of Yannis Behrakis' photos click here.

The breadth of the career of André Previn (April 6, 1929-February 28, 2019) took the child prodigy, who'd fled Nazi Germany as a teenager, from the recording stages of Hollywood (as an Oscar-winning composer and arranger for movie musicals), to jazz clubs, to concert halls across the globe as a soloist, conductor and composer.

Previn earned four Academy Awards for his scoring of musical adaptations ("My Fair Lady," "Porgy and Bess" and "Irma la Douce") and original movie musicals ("Gigi"). But the classically-trained musician was "astonished and bewitched" when he was given a record of jazz pianist Art Tatum playing "Sweet Lorraine." It launched his passion for jazz and bebop that fueled his 1956 teaming with drummer Shelly Manne on a rendition of "My Fair Lady" (which became the first jazz LP to sell a million copies), and his 1960 recording of selections from "West Side Story," which won a Grammy for Best Jazz Performance.

PLAY EXCERPT: Previn performs "I Could Have Danced All Night" 

PLAY EXCERPT: "Main Title" from Previn's score for "Elmer Gantry"

PLAY EXCERPT: Previn performs "Take the A Train"

Ambitious for the prestige of the concert hall, Previn departed the movie world to lead such orchestras as the Houston Symphony, the Los Angeles Philharmonic, the London Symphony Orchestra, and the Royal Philharmonic. He wrote concertos for the violinist Anne-Sophie Mutter, for whom he also composed a 1997 work for violin and piano, "Tango Song and Dance." He also composed operas based on Tennessee Williams' "A Streetcar Named Desire," and the romantic drama "Brief Encounter."

His personal life was just as operatic; Previn married five times, including Mutter, singer-songwriter Dory Previn, and actress Mia Farrow. He and Farrow adopted a Korean orphan, Soon-Yi, who became the center of a tabloid scandal when she became involved with Farrow's then-boyfriend, Woody Allen, and eventually married him.

Previn received a Kennedy Center Honor in 1998, and a Lifetime Achievement Grammy.

After decades in the concert hall, Previn returned to performing jazz. "I missed some of my jazz musician friends very much, and the atmosphere," he said. "I always liked improvising. During the time that I didn't play jazz, I always listened to it."

He told CBS' "Sunday Morning" in 1993, after touring Japan with his jazz trio, "I don't ever try and confuse the two, but as long as I keep them on separate occasions, it doesn't bother me whether the switch is from day to day or from hour to hour. There are very few kinds of music about which I can't drum up some kind of enthusiasm. And as long as people allow me to, I'll keep going and do all kinds of different music."

Bluegrass and country vocalist Mac Wiseman (May 23, 1925-February 24, 2019) was known for his high tenor in such songs as "The Ballad of Davy Crockett," "Jimmy Brown the Newsboy" and "Love Letters in the Sand." Born in the Shenandoah Valley in Virginia, he learned how to play the guitar while recuperating from surgeries on his leg following a bout with polio; his education came from the 13 notebooks his mother filled with songs heard over a battery-operated radio, transcribing them by the light of a kerosene lamp, since their house had no electricity or running water.

After studying at the Shenandoah Conservatory of Music, Wiseman got into radio, before becoming an original member of Lester Flatt and Earl Scruggs' Foggy Mountain Boys. He also worked as a sideman for bluegrass pioneer Bill Monroe, singing on such recordings as "Can't You Hear Me Calling." He recorded solo for Dot Records in the 1950s, eventually working as a label producer.

PLAY Excerpt: "Jimmy Brown the Newsboy"

Inducted into the Country Music Hall of Fame in 2014, Wiseman was an influence to Merle Haggard and Kris Kristofferson, and he collaborated with such diverse artists as big-band leader Woody Herman and funk master Bootsy Collins. His 2017 album, "I Sang the Song," featured an impressive lineup of guest artists, including John Prine and Alison Krauss.

In 2014 he told NPR, "The radio experience gave me a great command of the diction of songs, where you could understand my lyrics and the words as I was singing them … this is my philosophy: If people have to try to figure out what you're saying or singing, you've lost their attention."

Katherine Helmond (July 5, 1929-February 23, 2019) was a comic performer of boundless vitality, creating characters that were noted for their feistiness and irreverence, though the actress herself was noted for her softness and gentility.

The Texas native ventured to New York City to pursue acting and, when roles were scarce, she and some friends bought a theatre in Upstate New York to put on plays themselves. A 1973 Tony nominee for the Eugene O'Neill play "The Great God Brown," and winner of a Los Angeles Drama Critics Circle Award for "The House of Blue Leaves," she pursued dramatic parts in television and in such films as "The Hospital" and "The Hindenburg," until her agent sent her on an audition for "Soap" (1977-81, top right), a hilarious parody of daytime television. Helmond won the role of Jessica Tate, the flirtatious wife of a philandering husband, and earned four Emmy nominations during the show's four-year run. She also brought her deft, and daft, comic timing to "Who's the Boss?," winning a Golden Globe, and "Everybody Loves Raymond."

Her most treasured film appearances were in Terry Gilliam's comic-fantasy "Time Bandits" (middle right), playing Mrs. Ogre, and Gilliam's dystopian "Brazil" (bottom right), as a government functionary's domineering mother whose face becomes a plastic surgeon's battlefield.

In 1989 she talked to the Los Angeles Times about famed diva Sarah Bernhardt, whom she played in the one-woman show, "Sarah in America": "She got out there and lived life, you know. She put her head on the chopping block. I admire that. Because I don't think one stands still in life. Either you're growing or slipping back. That's another reason I wanted to do this project: because it's risky. All that dialogue, all those non sequiturs. I wanted to be a little scared, a little brave."

Born in Columbia, S.C., Stanley Donen (April 13, 1924-February 21, 2019) took tap dancing lessons in his teens and began his show business career as a performer, at age 16, dancing in the original Broadway production of "Pal Joey," which starred Gene Kelly. Donen received his first Hollywood break when Kelly got him a job helping choreograph the 1944 film "Cover Girl." Over the next few years, he worked on the dances of such films as "The Kissing Bandit" and "Take Me Out to the Ballgame."

Donen would become part of the MGM unit behind such unforgettable scenes as Kelly dancing with an animated Jerry the Mouse in "Anchors Aweigh," Fred Astaire's gravity-defying spin across the ceiling in "Royal Wedding," and – in what many consider the best movie musical ever made – Kelly ecstatically splashing about as he performs the title number in "Singin' in the Rain." (Donen and Kelly co-directed that film, as well as "On the Town" and "It's Always Fair Weather.")

Donen's solo directing credits include the musicals "Seven Brides for Seven Brothers," "Funny Face," "The Pajama Game" and "Damn Yankees." He also directed non-musical entertainments, including "Indiscreet," "The Grass Is Greener," the chic mysteries "Charade" and "Arabesque," "Bedazzled," "Two for the Road" (starring Audrey Hepburn and Albert Finney), and "Movie Movie," a take-off on movie double features.

In 1998, when he received a lifetime achievement Academy Award, Donen danced cheek-to-cheek with his Oscar statuette, which he called "this cute little fella." And during his acceptance speech, he explained his formula for a great musical: Bring in songwriters like Adolph Green and Betty Comden, and performers like Kelly or Astaire or Frank Sinatra. "And when filming starts," he added, "you show up and you stay the hell out of the way."

Folk singer Peter Tork (February 13, 1942-February 21, 2019), who had shared the stage with Pete Seeger, was playing at the Troubador in Los Angeles when a friend, Stephen Stills, told him about an ad in Variety seeking musician-singers ("4 insane boys") to star in a TV series. Stills himself had been passed over, but Tork auditioned, and got the part: "So, Stephen had to settle for Crosby Stills Nash & Young. He's never forgiven me!"

Tork became the keyboardist/bassist of The Monkees, a "made-for-TV" band who were the stars of a wild musical-comedy show that pre-dated MTV, in which Tork played the lovably befuddled Peter Tork. The show, produced by Bert Schneider and Bob Rafelson, ran for two seasons on NBC beginning in 1966, and won an Emmy for Best Comedy Series. Critics branded The Monkees the "Prefab Four," but in 1967 they outsold The Beatles and The Rolling Stones; their first four albums went to #1.

However, the stars (Tork, Davy Jones, Micky Dolenz and Michael Nesmith) butted heads with the show's music producer, Don Kirshner, who used outside session musicians to make The Monkees' first records. Tork told "Sunday Morning"'s Anthony Mason that he was "mortified" when he found out. "They were doing 'Clarksville,' and I wrote a counterpoint -- I had studied music. And I brought it to them, and they said, 'No, no, Peter, you don't understand. This is the record. It's all done. We don't need you."

Until, that is, the fictional band became such a phenomenon that fans demanded to see them live. The producers finally allowed them to play, and their third album, "Headquarters," was entirely their own. They also appeared in the trippy psychedelic cult film co-written by Jack Nicholson, "Head."

After the TV series ended, The Monkees continued recording, but eventually went their separate ways. Tork started a few bands, including The Peter Tork Project and Shoe Suede Blues, taught music, and settled in Connecticut. But reruns kept reintroducing The Monkees to new audiences, and the group would reunite for recordings and tours. In 2016, to mark their 50th anniversary, the remaining Monkees (Davy Jones died in 2012) recorded a new album, and Dolenz and Tork headed out on tour again. 

Mason asked Tork, "You think this could be your last tour?"

"No. We're gonna re-tour again next year. We'll tour 'til one of us drops. Then the other will go on as The Monkee! 'Hey, hey, it's the Monkee! And people say I monkey around...'"

On August 14, 1945, the day Japan surrendered to end World War II, a sailor and nurse locked lips in New York's Times Square. George Mendonsa (February 19, 1923-February 17, 2019), a first class sailor in the Navy, was on a date with another woman when he heard the news at Radio City Music Hall. "They stopped the show and they said, 'The war is over. The Japanese have surrendered,"' he told "CBS This Morning" in 2012. He and his date then went to a nearby bar to celebrate. Inebriated by the excitement of not having to return to combat, and by the alcohol, Mendonsa explained that when he saw the nurse, "I grabbed her, and I kissed her."

The nurse, in her white uniform, was dental assistant Greta Friedman on a break. "I did not see him approaching, and before I know it, I was in this vice grip!" Friedman said.

As the perfect strangers embraced in a moment of spontaneous euphoria, photographers snapped pictures. Life magazine's Alfred Eisenstaedt would see his photo became one of the most famous of the 20th century.

It wasn't a long kiss, and the two soon parted ways. But when Friedman saw the photo in Life magazine, she recognized herself. "You don't forget this guy grabbing you!" she remarked. Mendonsa, on the other hand, said he didn't see the photo until many years later, and didn't see Friedman again until the pair was reunited in 1980.

Other couples claimed to be the kissers. A 2012 book, "The Kissing Sailor: The Mystery Behind the Photo That Ended World War II," said evidence ruled out everyone but Friedman and Mendonsa, whose date that day, Rita Petrie, was present behind him in one picture, grinning ear to ear. Petrie didn't seem to have minded him kissing another woman the first week they were dating; she married Mendonsa, and the couple were together for more than 70 years.

Swiss actor Bruno Ganz (March 22, 1941-February 16, 2019) was already a celebrated stage figure before he shifted into movies in the 1970s, working with such filmmakers as Wim Wenders, Werner Herzog, Eric Rohmer, Volker Schlöndorff, Alain Tanner and Gillian Armstrong. His early appearances included "Nosferatu the Vampyre," "The American Friend," "The Marquise of O," "Knife in the Head," "Circle of Deceit," "In the White City" and "The Last Days of Chez Nous."

He made perhaps his greatest impressions playing both an angel and a devil, starring as a spirit who falls in love with a flesh-and-blood Berliner in Wenders' "Wings of Desire" (1987, pictured); and as Adolf Hitler hiding out in a bunker during the final days of Nazi Germany in "Downfall" (2004).

Recent films include "The Baader Meinhof Complex," "The Tobacconist" (playing Sigmund Freud), and the English-language films "The Manchurian Candidate," "The Counselor," "The Reader," and the upcoming Terrence Malick historical drama, "Radegund."

His savage portrayal of Hitler, acclaimed by critics, also became a source of mirth on the internet, as a spate of parody videos were posted replacing the subtitles of Ganz's rants with all manner of complaints, from John McCain's losing presidential campaign and the Bing search engine to United Airlines' in-flight service. In one parody, Hitler flies into a rage after being informed that he is actually Bruno Ganz.

In a 2012 interview Ganz praised the creativity of the parodists as "good fun," adding, "In fact, they've made me more popular than I could ever imagine."

Sam Bass (November 20, 1961-February 16, 2019) was NASCAR's first officially-licensed artist, whose work enlivened some of racing's top stars, programs and marquee events.

"I was blown away by the color, speed and excitement," he told USA Today of his early introduction to motorsports at Southside Speedway near Richmond, Va. "I'd been interested in art, so my subject matter from that point forward became cars and drivers."

His career took off once he was commissioned in 1985 to do the race program cover art for the Coca-Cola 600. His NASCAR Cup Series background included paint scheme designs for drivers Dale Earnhardt Jr., Jeff Gordon, Jimmie Johnson, Tony Stewart and others.

The free-spirited younger sister of Jacqueline Kennedy Onassis, Lee Radziwill (March 3, 1933-February 15, 2019) was a socialite, fashion icon, interior decorator, writer, TV interviewer and PR executive, and a perennial figure on the world's best-dressed lists.

She was a part of New York's literary scene – a friend of Truman Capote's, who scripted a TV production of "Laura" in which Radziwill starred (through she became a punching bag for her friend during his public feud with writer Gore Vidal, her step-brother), she also palled around with Andy Warhol and Rudolf Nureyev, and trailed the Rolling Stones on tour.

Accomplished in her own right, she dismissed talk that her life was at a disadvantage next to Jackie's. "I'm nobody's kid sister," she told People magazine, even after Jacqueline's marriage to Aristotle Onassis, the Greek shipping tycoon who had been Lee's old flame. Lee also stood apart from Jackie as possessing a huskier voice, and, by most accounts, a greater flair for fashion and color than the former first lady. 

Betty Ballantine (September 25, 1919-February 12, 2019) and her husband, Ian, who met while attending school in England, used a $500 wedding gift from Betty's father to start a business importing Penguin paperbacks from England. The Ballantines took advantage of new technology in production and distribution (and of a clause in copyright law that waived fees on British books), and helped invent the modern paperback, through two enduring imprints they founded: Bantam Books and Ballantine Books (both now part of Penguin Random House).

Charging as little as a quarter, they published everything from reprints of Mark Twain and John Steinbeck, to paperbacks of contemporary bestsellers. The Ballantines also vastly expanded the market for science fiction and other genres through such blockbusters as J.R.R. Tolkien's "The Hobbit" and "The Lord of the Rings," and Ray Bradbury's "Fahrenheit 451." Other authors in the Ballantine roster included Arthur C. Clarke, Frederik Pohl, Theodore Sturgeon, Philip K. Dick and Anthony Burgess, and among its re-printed titles, H.P. Lovecraft and H. Rider Haggard.

After selling Ballantine Books, Betty edited Shirley MacLaine's bestselling "Out on a Limb" and wrote a fantasy novel, "The Secret Oceans" (1994). The Ballantines' Rufus Publications also produced art and fantasy books, including Frank McCarthy's "The Old West" and Brian Froud's "Faeries."

"We really, truly wanted and did publish books that mattered," Ballantine told the science fiction-fantasy magazine Locus in 2002. "And science fiction matters, because it's of the mind, it predicts, it thinks, it says, 'Look at what's happening here. If that's what's happening here and now, what's it going to look like 10 years from now, 50 years from now, or 2,000 years from now?' It's a form of magic. Not abracadabra or wizardry. It is the minds of humankind that make this magic."

A rebel streak carried through many of the characters portrayed by actor Jan-Michael Vincent (July 15, 1945-February 10, 2019), and that same rebellious nature would characterize his career, which went from red-hot star to floundering tabloid fodder. He starred as a hippie drafted into the U.S. Marines in the acclaimed 1970 TV movie "Tribes"; a surfer in John Milius' classic "Big Wednesday"; and a crime-fighting helicopter pilot in the TV series "Airwolf."

Handsome and possessed of a presence both cocky and vulnerable, Vincent appeared in action films ("The Mechanic," "White Line Fever," "Damnation Alley"), melodramas ("Buster and Billie," "Baby Blue Marine"), period adventures ("Bite the Bullet," "The Undefeated"), and comedies ("Hooper," "The World's Greatest Athlete"), as well as the World War II TV miniseries "The Winds of War."

But the charmed, golden-boy promise of his early screen days (he would become the highest-paid TV actor with "Airwolf") turned dark as addiction took its toll. He broke his neck in a 1996 car accident in which he was driving drunk. The tabloids documented a litany of personal tragedies: alcohol, drugs, arrests, rehab. Despite a spate of cameo appearances in the late '90s (including the film "Buffalo 66" and the TV series "Nash Bridges"), Vincent dropped out of sight after a bit part in a 2002 crime film. He had his leg amputated as the result of an infection in 2012.

In a 1998 interview with the Los Angeles Times he credited friends, family and recovering alcoholics with keeping him, sort of, in line: "I'm very fortunate they are there. They'll allow you to screw up, but they won't allow it too many times."

He became an international sensation playing the bawdy rake "Tom Jones," and the philandering protagonist of the British "kitchen sink" drama "Saturday Night and Sunday Morning." But over a six-decade career Albert Finney (May 9, 1936-February 8, 2019) brought a remarkable breadth and tenderness to his roles, even to the violent crime boss he played in the Coen Brothers' "Miller's Crossing" (pictured). His characters ranged from the historic (Winston Churchill and Pope John Paul II) to the comic strip (Daddy Warbucks in "Annie").

Finney would earn five Academy Award nominations for his performances, in "Tom Jones"; as Agatha Christie's detective Hercule Poirot in "Murder on the Orient Express"; a Shakespearean actor in ''The Dresser"; an alcoholic in ''Under the Volcano"; and an attorney in "Erin Brockovich."

The son of a bookmaker, Finney grew up outside Manchester in northern England. He took to the stage at an early age, doing a number of school plays and, despite a lack of connections and his working-class roots, earning a place at London's prestigious Royal Academy of Dramatic Arts. But he did not pursue conventional Hollywood stardom, nor the trappings of fame. After the success of "Tom Jones" (which made him comfortably well-off), he skipped work and traveled the world for a year. He famously turned down the title role in "Lawrence of Arabia," and, later, a knighthood.

Finney would alternate between the stage (starring in "Billy Liar," "Luther," and "A Day in the Life of Joe Egg") and movies, which ranged from "Two for the Road" (with Audrey Hepburn), "Scrooge" (a musical version of Dickens' "A Christmas Carol"), and the marital drama "Shoot the Moon," to the horror flick "Wolfen." He also owned a production company that produced the cult classics "If…" and "O Lucky Man." Recently he shared the screen with Daniel Craig and Judi Dench in the James Bond thriller "Skyfall."

In a 1982 interview in The Guardian, Finney said, "The most elusive thing in film is that you try to give it the breath of life in a sense. That's the thing you very rarely get, I think. And when you see a film after you've finished it, out of the ninety minutes, there are probably about 40 of 50 seconds scattered – well, 10 or 20 seconds scattered here and there – where you think, 'Ah, yes'."

The groundbreaking observations of oceanographer Walter Munk (October 19, 1917-February 8, 2019) would have ripple effects across generations, bettering our understanding of the physical phenomena of waves, currents and tides. Born in Austria to a family of bankers, Munk was sent to New York City to pursue studies in finance, but instead would get degrees in physics and geophysics at the California Institute of Technology. He followed a girl to La Jolla, where he took a summer job at Scripps Institution of Oceanography. Though he would enlist in the U.S. Army's ski troops at the outbreak of World War II, he worked instead at Scripps training Navy and Air Force weather officers on when to conduct or cancel amphibious landing operations based on tides and waves – invaluable for Allied actions on the coast of Northern Africa, in the Pacific, and on the beaches of Normandy.

His oceanographic work (in such fields as ocean circulation and acoustic tomography) assisted in the areas of anti-submarine warfare, atomic testing in the Pacific, and the study of ocean temperatures and climate change, while he also aided the expansion of the Scripps campus and the University of California's Institute of Geophysics and Planetary Physics. Munk was a Pentagon advisor, a member of the President's Science Advisory Committee, and Secretary of the Navy Chair in Oceanography. In addition, he and his second wife, Judith, served as science ambassadors on visits to China and the Soviet Union during the 1970s. He received the President's National Medal of Science in 1983.

"I am very concerned that not much is being done about the heating of the oceans," he told CBS Affiliate KFMB in 2009. "Two-thirds of the heat that's been added in the last 50 years has gone into the ocean, and only one-third in the atmosphere. If there wasn't available ocean on this planet for heat storage, the warming of the atmosphere would have been three times as big."

Former U.S. Rep. John Dingell (July 8, 1926-February 7, 2019) was the longest-serving member of Congress in American history, and a master of legislative deal-making who was fiercely protective of Detroit's auto industry. The imposing 6'3" Democrat won a special election in 1955 to succeed his father, a "New Deal" Democrat who died in office, and served in the House for 59 years, before retiring in 2014.

He was no stranger to the Capitol; Dingell was a page on the House floor when President Franklin D. Roosevelt asked Congress to declare war on Japan on Dec. 8, 1941, and during college he supervised the building's elevator operators.

As a Congressman he was a longtime supporter of universal health care. He had introduced a universal health care coverage bill in each of his terms, and proudly sat next to President Obama in 2010 when the $938 billion health care overhaul was signed into law. Dingell had a front-row seat for the passage of landmark legislation he supported, including Medicare, the Endangered Species Act and the Clean Water Act, but also for the Clean Air Act (which he was accused of stalling to help auto interests). He also was known as a dogged pursuer of government waste and fraud, and even helped take down two top Reagan-era presidential aides while leading the investigative arm of the powerful House Energy and Commerce Committee, which he chaired for 14 years.

"I've gotten more death threats around here than I can remember," Dingell told The Associated Press in a 1995 interview. "It used to bother my wife, but oversight was something we did uniquely well."

Even after his retirement from office, and while recuperating from a heart attack, he continued to dispense his dry wit on Twitter to his quarter-million followers. An example was advice he tweeted to freshmen of the new Congress last month: "For the next six months you're going to wonder how the hell you got here. Then one day you'll come on to the House floor, look around, and wonder how in the hell all the other fools got here."

Hall of Famer and two-time Most Valuable Player Frank Robinson (August 31, 1935-February 7, 2019) had a remarkable career on the field. The slugger, who was the only player to be named MVP in both the American and National Leagues, won the Triple Crown as he led the Baltimore Orioles to their first World Series championship, in 1966. An All-Star outfielder in 12 seasons and a first-ballot selection to Cooperstown, Robinson also was a Rookie of the Year, and had 204 stolen bases. With 586 home runs, he was fourth on the all-time list (behind Hank Aaron, Babe Ruth and Willie Mays) when he retired.

But Robinson cemented his legacy when he became manager of the Cleveland Indians in 1975 – the first African American manager in major league baseball. He also managed in San Francisco, Baltimore and Montreal, and became the first manager of the Washington Nationals after the franchise moved from Montreal for the 2005 season.

Robinson later spent several years working as a league executive and for a time oversaw the annual Civil Rights Game. He advocated for more minorities throughout baseball, and worked with former Commissioner Bud Selig to develop the Selig Rule (directing teams to interview at least one minority candidate before hiring a new manager).

For all he did on and off the field, Robinson was presented the Medal of Freedom by President George W. Bush in 2005.

Robinson played the game with grace, yet was known as a fierce competitor who combined hard work with natural talent. He crowded the plate, yielding to no pitcher, and didn't seem to care about being brushed back or getting hit by a pitch 198 times. "Pitchers did me a favor when they knocked me down," Robinson said. "It made me more determined. I wouldn't let that pitcher get me out."

A pioneer in the application of developmental psychology to social policy, Yale professor Edward Zigler (March 1, 1930-February 7, 2019) helped create the Head Start program for disadvantaged preschoolers, which has served more than 32 million children since 1965, earning him the title "Father of Head Start."

In addition to his groundbreaking work during the Johnson administration's "War on Poverty," Zigler created the U.S. Office of Child Care during the Nixon administration; served as chair of the Vietnamese Children's Resettlement Advisory Group under President Ford; helped to construct the Family and Medical Leave Act; and founded the Bush Center for Child Development and Social Policy at Yale (since renamed the Edward Zigler Center for Child Development and Social Policy). He also helped advance the Child Development Associate (CDA) credential for early childhood educators.

"Where are our priorities? We keep saying you have to invest in human capital," Zigler told the Los Angeles Times in 1993. "Investing in human capital means good health for our young children, [and] it means preschool education for all our children."

Hailing from Cornwall, British writer Rosamunde Pilcher (September 22, 1924-February 6, 2019) began her literary career in the 1940s, conjuring romance novels under the name Jane Fraser. The first novel published under her own name, "A Secret to Tell," came out in 1955. She would score her biggest success more than three decades later, when she was 63, with the international bestseller "The Shell Seekers" (1988), which told the story of a bohemian family from World War II to the present. The novel was twice adapted for television, while dozens of Pilcher's other stories have been filmed for German TV.

In addition to short story collections, her other novels of messy but relatable family life included "September," ''Coming Home" and "Winter Solstice."

"Writing is work, but it's also a compulsion … It's a job you have to do," Pilcher told The New York Times in 2000.  "And once you get your characters on paper, you can't abandon them. You have to respond to them."

Actor Kristoff St. John (July 15, 1966-February 3, 2019) began his career as a child on sitcoms like "That's My Mama," "Happy Days," "The Bad News Bears," "The Cosby Show" and "Charlie & Co.," and in the miniseries "Roots: The Next Generations." He appeared in the daytime soap "Generations," before beginning a 27-year-run on CBS' daytime drama "The Young and the Restless." St. John won two Daytime Emmys and several NAACP Image Awards for his portrayal of Neil Winters, a cosmetics company executive who is something of an over-achiever, who wrestles with alcoholism; divorces and then remarries his wife; and becomes a foster parent.

Born of a biracial couple, St. John wrote for CBSNews.com in 2014 about the hate mail he received early in his "Y&R" tenure when his character started a romance with a white character: "It actually came to my home address. Wedged in between the gas bill [and] my mortgage bill were startling letters of hate and discontent. It affected me deeply. … I wasn't quite clear as to why this was occurring, other than the fact that I wasn't ignorant to racism in this country."

The hate mail was turned over to the FBI, and the letters stopped coming. "That only told me that people who watch the show – doesn't matter what color they are – that are sitting at home that don't believe that black and white should coexist, are not my friends."

In 2015 St. John spoke with "Entertainment Tonight" about the death of his 24-year-old son, Julian, who died by suicide at a mental health facility. "That call was the worst call I've ever had in my life," St. John said. He and his ex-wife later settled a wrongful death lawsuit against the facility out of court.

The last update to St. John's Twitter account was a retweet January 21 that read, "Grieving the loss of a child is a process. It begins on the day your child passes, and ends the day the parent joins them."

Actress Julie Adams (October 17, 1926-February 3, 2019) starred in approximately 150 films and TV shows, appearing opposite such Hollywood legends as Elvis Presley (in "Tickle Me"), Jimmy Stewart ("Bend in the River"), Tyrone Power ("Mississippi Gambler"), Dennis Hopper ("The Last Movie") and John Wayne ("McQ"). But it was her starring role in the 1954 horror film "Creature From the Black Lagoon" that is her most memorable, playing a scientist who encounters a monster from the depths of an Amazonian river.

Adams didn't get to do the actual swimming (despite having "perfectly symmetrical" legs that the studio had insured for $125,000), but she definitely left an impression, and not just for her swimsuit attire. She told Nick Thomas in 2014, as published in USA Today: "Some told me they became zoologists or paleontologists because of the film. And I met a little girl who was named after my character.

"Some projects just take on a life of their own. The Creature still walks among us," she said.

Her TV work straddled the 20th and 21st centuries, from "Perry Mason," "Alfred Hitchcock Presents," "Rawhide," "77 Sunset Strip," "The Jimmy Stewart Show," "Murder, She Wrote," "Code Red," and "Beverly Hills, 90210,"  to "Lost," "CSI: NY" and "Cold Case." But fans keep coming back to her underwater "Beauty and the Beast" tale. "It's just a darn good movie," Adams said at a 2012 screening of the film as part of "Universal's Legacy of Horror."

Dick Miller (December 25, 1928-January 30, 2019) made the most of his first meeting with B-movie director Roger Corman, whose finances were so scrimped he was sharing a desk. As he told The A/V Club in 2012, "We get to talking, and he says, 'Where are you from?' I say, 'New York.' He says, 'Uhh, so what do you do?' I say, 'I'm a writer.' He says, 'Ah, I don't need writers, I need actors.' I said, 'I'm an actor!' Just blurted it out like that, and that's how it started."

What started was a career as one of Hollywood's most dependable character actors, who rose from the zero-budget films of Corman ("Not of This Earth," "Little Shop of Horrors") to work with such directors as James Cameron ("The Terminator"), Steven Spielberg ("1941"), and Martin Scorsese ("New York, New York," "After Hours"). He was definitely a good luck charm for Joe Dante, who featured Miller in every feature film he made, from "Pirahna" and "Gremlins" to "The Burbs."

Even his characters' names served as an in-joke for film buffs; Miller repeatedly played someone named Walter Paisley, from a murderous beatnik sculptor (in "A Bucket of Blood"), to a cop ("Shake, Rattle and Rock!"), to a rabbi (in the upcoming horror film "Hanukkah").  

Miller took pride in the fact that he was always working. "I really never got excited about the size of a part. I didn't realize the staying power of stars, when you got top billing, and then you've got to go a little lower, [then] a little lower. But maybe that's why I've been around so long."

Grammy-winning R&B singer James Ingram (February 16, 1952-January 29, 2019) recorded ballads and pop songs with a soulful voice that sounded like whisky. His recordings of "Just Once" and "One Hundred Way" on the 1981 Quincy Jones album, "The Dude," earned him three Grammy nominations (including Best New Artist), and an award for Best R&B Male Vocal Performance. He later appeared in Jones' "The Secret Garden (Sweet Seduction Suite)."

Ingram's other hits included the Grammy-winning "Yah Mo B There"; "How Do You Keep The Music Playing"; "Baby, Come to Me" (a duet with Patti Austin); and "I Don't Have the Heart," which hit #1 on the Billboard chart in 1990. He also teamed up with Donna Summer ("Mystery of Love"), Linda Ronstadt ("Somewhere Out There," from the animated film "An American Tail"), and Dolly Parton ("The Day I Fall in Love," from the film "Beethoven's 2nd").

As a songwriter, he co-wrote Michael Jackson's "P.Y.T. (Pretty Young Thing)," and earned two Oscar nominations for Best Song.

PLAY EXCERPT: "Just Once"

PLAY EXCERPT: "Baby, Come to Me"

In 1991, Ingram told the Associated Press, "When people ask me, I say I studied at the University of Ray Charles, and went to learn with the master, Quincy."

He won the first of his three Academy Awards for the song "The Windmills of Your Mind" (from 1968's "The Thomas Crown Affair"). He won the first of his five Grammys for the theme from "Summer of '42." But Michel Legrand (February 24, 1932 - January 26, 2019), who scored more than 200 films, is best known for the French musical romance, "The Umbrellas of Cherbourg," with its hit song, "I Will Wait For You."

PLAY EXCERPT: "I Will Wait For You"

PLAY EXCERPT: "The Windmills of Your Mind"

He worked with such musical luminaries as Maurice Chevalier, Jacques Brel, Frank Sinatra, Aretha Franklin, Alan and Marilyn Bergman, Miles Davis, Nana Mouskouri, Barbara Streisand, Yves Montand and Sting.

Legrand played an outsized role on the French musical scene, and was touring into his 80s, evidently living out his youthful ambitions. As he told The Guardian last year, "When I finished at the Paris Conservatoire, I was 20 and I felt I could do everything. I could write symphonies. I could be a virtuoso classical pianist … I could be a jazz pianist – I liked that very much, because you're free and I know how to improvise. I could be a singer. I could be a conductor. So I said, my dream in my life is to do it all."

"Yesterday, at about 10pm, the General Howze pulled into the Hudson River. We stood on the deck and we stared. 1,352 Displaced Persons stared at America. All the wartime, post-war DP miseries, desperations and hopelessness, and then suddenly you are faced with a dream. You have to see New York at night, from the Hudson, like this, to see its incredible beauty."

Lithuanian-born Jonas Mekas (December 24, 1922 - January 23, 2019) encompassed many hyphenates – poet, critic, diarist, filmmaker and arts patron were just a sampling. After surviving a Nazi labor camp and spending years as a refugee, Mekas ventured to postwar America, joining the avant-garde art movement in New York and befriending such celebrities as Jacqueline Kennedy, Yoko Ono, John Lennon and Andy Warhol.

He filmed the Kennedy children in his intimate documentary "This Side of Paradise," just one example of his many films that documented life in New York City in the mid- to late-20th century, and shot some of the earliest known footage of rock's prototypical punk/avant-garde band, the Velvet Underground.

His first full-length release, the 1961 documentary "Guns of the Tree," featured narration by Beat poet Allen Ginsburg. Other works included his adaptation of a play about life in a military prison, "The Brig," which won the Grand Prize at the 1963 Venice Film Festival; "Walden," a 3-hour documentary about the New York art scene; "Reminiscences of a Journey to Lithuania"; and "Lost, Lost, Lost," reflections on his early years in New York.

He also published poetry and memoirs, wrote an influential column for the Village Voice, published Film Culture magazine, and helped found Anthology Film Archives, an indispensible site for independent and avant-garde cinema. Mekas became a mentor to generations of rising filmmakers, from Martin Scorsese and Jim Jarmusch to James Franco. He grew more prolific with age; in 2007, when he turned 85, he posted a new short film online for every day of the year.

In an interview with The New York Times published in January, Mekas calmly ruminated about death: "It's a very normal transition," he said. "What's beyond that line, it's where the mystery begins, where it becomes interesting. There are glimpses in the messages that come from there, some of the old Scriptures. Indications are there, and I believe it all. I believe it much more than anything that's written since the 12th century."

A boisterous comedian and singer who appeared on Broadway and in nightclubs from New York to Las Vegas, Kaye Ballard (November 20, 1925 - January 21, 2019) starred for two seasons in the 1960s sitcom "The Mothers-in-Law" opposite Eve Arden. It marked a high point in a career that began when Ballard was 12. A singer at service clubs in Cleveland during the war, she worked at a burlesque theater after high school, not as a stripper but as straight woman in comedy sketches.

Ballard's first real break came when she was singing in The Bowery, a Detroit nightclub. Comedy bandleader Spike Jones dropped in one night and quickly drafted the exuberant young singer into his musical contingent. For a year she toured with Jones' troupe, singing, playing the flute and tuba, and engaging in the band's antics. She also sang with the bands of Vaughn Monroe and Stan Kenton.

She moved to New York in 1945 and appeared on Broadway and in summer stock. She also began working on TV, becoming an in-demand performer on network variety programs headlined by Mel Torme, Ed Sullivan and Perry Como. She played one of Julie Andrews' step-sisters in the TV premiere of the Rodgers & Hammerstein musical "Cinderella."

Her high-octane personality hit it big on stage as a madcap Helen of Troy in 1954's "The Golden Apple," and she won critical praise for her role in 1961's "Carnival!"

Ballard made few film appearances, including "The Girl Most Likely," "A House Is Not a Home," "Which Way to the Front?," "The Ritz" and "Freaky Friday." Following "The Mothers-in-Law," she was a regular on "The Doris Day Show" in the 1970s, and on "Due South" in the 1990s, as well as making guest spots on "The Love Boat," "Alice," "Fantasy Island" and others. In the early 2000s, Ballard toured in the musical comedy "Nunsense," joined the touring company of the Broadway musical "The Full Monty," starred in "Quartet," and performed in the revue "Doin' It For Love."

As she told Broadway World in 2012, "If you are not on television, they think you are dead. I've never stopped working, and I'm 86!"

A genial but sharp-witted writer, Russell Baker (August 14, 1925 - January 21, 2019) enjoyed a decades-long career as a reporter, columnist, critic and on-air personality. He won Pulitzers in 1979 for his New York Times column, "Observer," which he wrote for 35 years, and for "Growing Up," his moving 1983 autobiography recalling his impoverished Baltimore childhood.

After training to be a pilot during World War II, he began his career as a reporter in 1947 and rose to become a national New York Times reporter in Washington in 1954. He covered Congress, the military and State Department during the Eisenhower and Kennedy administrations before tiring, he would recall, of waiting for politicians to come out of meeting rooms and lie to him.

He drew upon those experiences for his column, writing as a curious and wide-eyed outsider who could leave an adversary buried under the weight of common sense. Later, Baker hosted public television's "Masterpiece Theatre," succeeding Alistair Cooke.

As recounted recently by Adrienne Lafrance in The Atlantic, Baker discounted writing that was too easy: "If you haven't sweated over it, it's probably not worth it. So it's always been work. But it's the kind of work you enjoy having done. The doing of it is hard work. People don't usually realize what it takes out of you. They just see you sitting there, staring at the wall, and they don't know that you're looking for the perfect word to describe a shade of light."

Baker didn't ask to be called a humorist. During a 1994 speech in Hartford, Connecticut, he said his goal for the "Observer" was to render the federal government, politics and diplomacy accessible through plain, easy-to-read language. "Well, as I soon discovered, in those days if you wrote short sentences and plain English in the Times, everybody naturally assumed you were being funny," he said.

Living in Colorado, where he attended university and worked for Martin Marietta's missile program, Tony Mendez (November 15, 1940 - January 19, 2019) was recruited by the CIA in Denver through a blind ad, joining the agency in 1965. He spent his 25-year career as a specialist in covert operations, working undercover in Cold War battlegrounds, including the Soviet Union, helping secret agents remain secret through creating false documents and disguises.

In 1997 Mendez talked with CBS News' David Martin, describing his reputation as a "master of disguise": "You develop a mentality in our business where you consider success to be the fact that nobody knew. Nobody would ever know."

But the big operation which we DID come to know about was his successful rescue of American diplomats from Iran in 1980, in hiding from revolutionaries who had overthrown the Shah. Mendez helped devise the plan under which six diplomats, hidden in the Canadian Embassy, would be disguised as a Canadian film crew so they could board a flight and escape the country. Mendez took on the persona of a film producer doing location scouting in the country for a science fiction film named "Argo" (one of many "Star Wars" knockoffs being produced at the time). Before traveling to Iran, he placed ads in the trades and created a Hollywood office, and then managed to get the diplomats out of the country before the Iranians knew they had been in hiding. "It's like robbing a bank, except in our case we had to make it look like the money was still there!" Mendez said.

It was a feat later dramatized in Ben Affleck's 2012 film "Argo," which liberally embellished the story for the big screen. For example, the six Americans' passage through Tehran's airport and onto a plane was uneventful, while the movie portrayed a white-knuckle takeoff, with Iranian assault teams racing behind the jet down the runway.

Mendez was in attendance at the Academy Awards when the movie was named Best Picture. He told Martin he'd been trembling with nerves: "Yeah, isn't that crazy?"

Mary Oliver (September 10, 1935 - January 17, 2019) was a native of Maple Heights in suburban Cleveland, and endured what she called a "dysfunctional" family in part by writing poems and building huts of sticks and grass in the nearby woods. Edna St. Vincent Millay was an early influence and, while in high school, Oliver wrote to the late poet's sister, Norma, asking if she could visit Millay's house in Austerlitz, New York. Norma Millay agreed and Oliver ended up spending several years there, organizing Edna St. Vincent Millay's papers.

Oliver would become a Pulitzer Prize-winning poet whose rapturous odes to nature and animal life brought her critical acclaim and popular affection. The author of more than 15 poetry and essay collections, she wrote brief, direct pieces that sang of her worship of the outdoors and disdain for greed,  despoilment and other human crimes. One of her favorite adjectives was "perfect," and rarely did she apply it to people. Her muses were owls and butterflies, frogs and geese, the changes of the seasons, the sun and the stars.

"In my outward appearance and life habits I hardly change - there's never been a day that my friends haven't been able to say, and at a distance, 'There's Oliver, still standing around in the weeds. There she is, still scribbling in her notebook,'" Oliver wrote in "Long Life," a book of essays published in 2004. "But, at the center: I am shaking; I am flashing like tinsel."

Like her hero Walt Whitman, whom she would call the brother she never had, Oliver didn't only observe mushrooms growing in a rainstorm or an owl calling from a black branch; she longed to know and become one with what she saw. She might be awed by the singing of goldfinches or, as in the poem "White Flowers," overcome by a long nap in a field. 

Never in my life
had I felt myself so near
that porous line
where my own body was done with
and the roots and the stems and the flowers
began

Her poetry books included "White Pine," ''West Wind" and the anthology "Devotions," which came out in 2017. She won the Pulitzer in 1984 for "American Primitive" and the National Book Award in 1992 for "New and Selected Poems."

She wrote often of mortality, but with a spirit of gratitude and completion. In "Circles," she pronounced herself "content" not to live forever, having been "filled" by what she saw and believed. In "When Death Comes," she hoped that at the end of life she could look back and see herself as a "bride married to amazement."

When it's over, I don't want to wonder
if I have made of my life something particular, and real.
I don't want to find myself sighing and frightened,
or full of argument.
I don't want to end up having simply visited this world.

When you perform a role more than 5,000 times, people might forget you ever did anything else. The daughter of a newspaper editor, Carol Channing (January 31, 1921-January 15, 2019) knew by age seven she wanted to act on stage. She would star on Broadway in "Gentlemen Prefer Blondes" (with "Diamonds Are a Girl's Best Friend" becoming her signature song), "The Vamp," "Wonderful Town," "Show Girl," "Lorelei," and "Sugar Babies." On screen she starred in "The First Traveling Saleslady" and "Thoroughly Modern Millie" (for which she copped an Oscar nomination as the widow Muzzy Van Hossmere). But it was as the irrepressible matchmaker Dolly Levi, in the musical "Hello, Dolly!," that she became synonymous with a single role.

Channing was not the immediate choice to play Dolly; producer David Merrick told her, "I don't want that silly grin with all those teeth that go back to your ears." And director Gower Champion (with whom she'd worked on her first Broadway hit, "Lend an Ear") had his doubts. But the effervescent Channing wowed them in an audition and was hired on the spot.

On opening night on January 16, 1964, when Channing made her appearance, the New York audience went crazy – and critics followed suit. "Hello, Dolly!" won 10 Tony Awards, including one for Channing as Best Actress in a Musical.

Over more than three decades she headlined six Broadway and touring productions of "Hello, Dolly!," hardly ever missing a performance, even while undergoing cobalt and chemotherapy treatments for ovarian cancer. "I kept doing the shows for selfish reasons," she said. "You feel nothing. You feel no pain." Channing considered the character to be "a role as deep as Lady Macbeth," but added that "the essence of her character was her unquenchable thirst for life."

She told the Associated Press in 2002 that only once did she bow out of playing Dolly, in Kalamazoo, because of food poisoning. A friend advised her: "If you have to miss the show, Kalamazoo is a good place to do it."

After working in NASA's Gemini and Apollo programs, electrical engineer Alan R. Pearlman (June 7, 1925-January 5, 2019) lent his name, or rather initials, to his company, ARP Instruments, which produced trailblazing synthesizers. Originally intended as educational tools, machines such as ARP's 2600 and the Odyssey became popular with scores of musicians, from Brian Eno, David Bowie and Pete Townshend, to Stevie Wonder and Prince.

Play Excerpt: 1980s "Doctor Who" Theme

Play Excerpt: Jean Michel Jarre's "Equinoxe"

Play Excerpt: "New Order's "Age of Consent"

"I naïvely assumed that because sex discrimination was wrong, it must be, therefore, illegal. It was not," wrote Bernice Sandler (March 3, 1928-January 5, 2019) in 2017. 

From a very young age Sandler became used to the practices of sexism – being told girls were not allowed to do what boys could do. She would later admit that she had been ambivalent about the feminist movement. But while she was teaching at the University of Maryland in the late 1960s, she pushed for equality on behalf of women in higher education, telling the Labor Department that an "industrywide pattern" existed. Armed with data, she filed complaints against more than 250 universities and colleges. Her advocacy would become the basis of Title IX, the 1972 civil rights law that banned sex discrimination by educational institutions receiving federal funds. Over the years, Title IX would work to help even the playing field in athletics, admissions, financial assistance, and protection against sexual harassment. 

Known as the "Godmother of Title IX," Sandler would later serve as director of the Project on the Status and Education of Women at the Association of American Colleges, and assist institutions transitioning to coeducational school bodies.

In 2017 Sandler admitted her early belief that equality between the sexes would come quickly with Title IX was overly-optimistic: "It will take many generations because what we are now talking about is not just increased opportunities for girls and women, but about a social revolution with an impact as large as the Industrial Revolution, for we are changing the roles of women and men, so that they are far closer to equal than they have ever been in the history of the world, and that is not easy to do. We have only taken the very first steps of what will be a very long journey."

A Los Angeles native, Daryl Dragon (August 27, 1942-January 2, 2019) was the son of Oscar-winning composer Carmen Dragon and singer Eloise Dragon. and was himself a classically trained musician at the Royal Academy of Music in London. He played keyboards and wrote arrangements for the Beach Boys and was dubbed "The Captain" because of his fondness for wearing sea captain's caps.

He met singer Toni Tennille in the early 1970s, and the two soon began performing together, as The Captain & Tennille. Their breakthrough came in 1975 when they covered the Neil Sedaka-Howard Greenfield song "Love Will Keep Us Together," topping the charts and winning a Grammy for Record of the Year.

Play excerpt: "Love Will Keep Us Together"

The duo followed that hit with "The Way I Want to Touch You," "Muskrat Love," "Shop Around," "Lonely Night (Angel Face)," and "Do That to Me One More Time," which hit No. 1 in 1980.

They briefly starred in their own TV variety show, before their careers began to fade in the 1980s. The two divorced in 2014 after nearly 40 years of marriage, but remained close.

Comic actor, writer and producer Bob Einstein (November 20, 1942-January 2, 2019) debuted his character "Super Dave" Osborne (a stuntman whose daredevil attempts usually backfire spectacularly) on "The John Byner Comedy Hour" in 1972. His stunt? Riding a rollercoaster at Magic Mountain amusement park, on which he passes out. Super Dave would later graduate to his own TV series and specials, usually inadequately protected by safety equipment that was itself unsafe, while a mannequin (standing in for the unfortunate stunt man) would be put through the most ignominious tribulations. (Pictured: Super Dave's run-in with a wrecking ball.) 

"This character allows me to do anything I want, comedically, and get away with it," he told The Associated Press in 1995.

The brothers of filmmaker Albert Brooks, Einstein won Emmys as a writer for "The Smothers Brothers Comedy Hour," and for Dick Van Dyke's 1970s variety show, "Van Dyke and Company." He also wrote for Sonny & Cher, Pat Paulsen and the Hudson Brothers. He appeared in "Arrested Development" and "Ocean's Thirteen," and in "Curb Your Enthusiasm," Einstein played Marty Funkhouser, the annoying pal of Larry David's equally annoying character.