Ian Ziering Catches Lightning In A Bottle With Sharknado
Ian Ziering says he never expected Sharknado to become the sensation it did.
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Ian Ziering says he never expected Sharknado to become the sensation it did.
It's just a tad better than the original, which stunk.
Does "Pacific Rim" manage to turn us into tweens for two hours? It comes pretty darn close.
The Amazing Acro-Cats is one of only four performing housecat troupes in the country. The troupe also includes four rats, a chicken, and a groundhog.
This enjoyable comedy about a summer vacation that changes a teenager's life goes right to the front of the class as a charmer, representing a sparkling alternative to the bombast of the summer movie season.
"I didn't really decide to become a motorcycle mechanic, that's just what I did," explains Adam Cramer, star of a new Discovery Channel TV show.
Armie Hammer and Johnny Depp get to exhibit so little playful chemistry, it's as if they're in different movies: Depp in a comedy, Hammer in a western adventure.
This concert flick feels stretched beyond its natural limits despite Hart's talent as a standup comedian and storyteller.
The legendary Laff House Comedy Club, on South Street near Third, has shut its doors after nearly 20 years of offering a stage and opportunity for budding black comedians.
This inventive and affable sequel to the 2010 original pretty much matches its predecessor's charm and impact, not in originality perhaps but certainly in energy and execution.
The National Constitution Center celebrated its tenth anniversary with free admissions and dozens of special exhibits about Colonial America.
Fifteen-year-old Mikey Robins of Lower Gwynedd and three other teens each get a chance to charge into the kitchen to create an appetizer, an entrée, and a dessert.
Still a box office monster, Monsters University managed to scare up another first-place finish.
Even if every plot point in "The Heat" is suffocatingly familiar, it still feels fresh because it remains an absolute rarity: a female buddy-cop flick!
Veteran director Roland Emmerich allows his film to get more and more preposterous as it proceeds, eventually riding off the rails as if it were doing it on purpose.
