<em>Theatre Review:</em> "The Glass Menagerie" At The Walnut
Jillian Louis, the actress who plays the daughter in this production, is a standout.
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Jillian Louis, the actress who plays the daughter in this production, is a standout.
He was the lead in many films in the '50s including the Academy Award-winning turn in "Marty," named best picture of 1955.
No Strings Attached, the romantic comedy with Natalie Portman and Ashton Kutcher, attached itself to first place on its debut weekend. It was the weekend's only new mainstream title and it took in an estimated $20 million.
This epic tale of survival is unbelievable. Literally.
This play by the award-winning, European-based playwright Martin McDonagh may not be the easiest to digest, but it may well be one of the goofiest dramas on record.
"No Strings Attached" earns a chuckle or two and then disappears into the night without making much of an impression.
Visitors to the new "Access Ability" exhibit will get the chance to learn some American Sign Language, type their names in Braille, use a hand-pedaling bicycle, and hear the stories of those who live with disabilities.
Ah, downsizing during the Great Recession!
There's an interesting list of (somewhat obscure) video releases this week.
Comcast immediately gets 51 percent ownership of NBC, its television and radio stations, and the programming motherlode that is Universal.
The Green Hornet, the comedic superhero thriller starring and written by Seth Rogen, finished first and scared up an estimated $34 million worth of green.
KYW's Steve Nikazy and KYW movie critic Bill Wine talk about this week's new releases, and the hits and misses for the coming weekend.
He's a hornet without much of a sting, but at least he's gone green. And tongue-in-cheek.
The Chevy Volt and other electric cars are among the main attractions at this year's auto show, which begins in two weeks. And for the first time this year, two auto makers are offering ride and drive opportunities.
Like a running back having a bad day on the football field, surehanded veteran director Ron Howard fumbles this one.
