Last Updated Dec 16, 2008 11:20 AM EST
BNET's take: The work is generic. It sticks with the most-beloved trope of old soda companies -- the happy-looking model. These kids' faces run from merely smug to orgasmically delirious. You've seen them in ads for beer and cars and deoderant, and now they're hoping to stand out for Pepsi.
The underlying positioning of the work is the idea that kids born between 1980 and 1990 over-index on optimism, and thus the brand should keep on smilin', regardless of the recession, war and healthcare crisis. In some ways that's an interesting gamble -- people look to their soda for reassurance, not for life solutions, after all. But it also takes Pepsi a step away from its old entertainment positioning. One might argue that, in times like these, we need distraction from brands that can entertain us more than ever. These Prozac children aren't that.