Ben Vereen made it look easy in the 1969 movie "Sweet Charity." A star of stage as well as film, he's a past Tony-winner. But his most inspiring role may be his own comeback from adversity. Mo Rocca has our Sunday Profile:
Ben Vereen is the embodiment of that old axiom, "The show must go on." What he's been through would have undone most mortals. Twenty-three years ago, Vereen almost lost his career AND his life.
But here he is, at the age of 68, warming up with his daughter, Kabara, just before showtime at 54 Below in New York City.
"Give me that back, give me those shoulders, give me those blades," said Kabara.
"I'm trying," said Ben.
His nightclub act is a reminder that in the 1970s, Ben Vereen was everywhere -- in movies like "All That Jazz" ... on Broadway, where he won a Tony for starring in "Pippin" ... and on TV, where he sang and danced onto just about every variety show, from "Carol Burnett" to "The Muppet Show."
The consummate entertainer -- but his upbringing in Brooklyn might as well have been a thousand miles from Times Square.
"I had never been to a Broadway show," he said. "Because it wasn't in our vocabulary. You gotta understand something: My background did not warrant me to be on the stage. We didn't talk about theater. We watched television. We didn't talk in my home about Broadway."
That's not the only thing they didn't talk about. It wasn't until he was about 24 years old that he learned he was adopted.
Vereen would never meet his birth mother.
"That takes the rug out from under your life," he said. "The question becomes, 'What was wrong with me? Why didn't you love me?'"
The actor who would spend decades searching for his own roots became a household name when he starred in the 1977 TV mini-series, "Roots." Vereen played Chicken George, a cock fighter who led his family from slavery into freedom.
Rocca asked, "Did you have any idea that it would be the phenomenon that it became?"
"No," he replied.
The series broke ratings records and riveted the nation.
"We had no idea the core that would hit throughout the universe," he said.
And did it immediately affect his life? "Oh yes," said Vereen. "All of a sudden, the phone was ringing off the hook."
One of those phone calls came from the producers of Ronald Reagan's 1981 inaugural celebration. Vereen decided to entertain the new president with what he meant as a commentary on the difficulties faced by early black performers.
"I was a young kid," he said. "You know, this is my one shot to say, 'We have got to change this.' And it was a huge stage."
For a television audience of millions, Vereen paid homage to the legendary vaudeville and minstrel star Bert Williams, an African-American who could only perform in demeaning blackface for white audiences.
Rocca asked, "Do you remember while you were on that stage performing, did it seem like things were going well?"