Unfortunately, the Times had only a brief explanation of why this might be the case:
... it could be that black humor, oblique sales messages and deliberate provocation -- common in many British ads -- don't go down as well in the United States. And in such a big country, commercials with direct and friendly sales messages are more likely to appeal to broader audiences than artful creations that risk causing offense or confusion.There are, in fact, three simple reasons why British ads always seem to be funnier, darker, more artsy, more interesting and just plain weirder than American ones, but it has nothing to do with talent:
- Britain is culturally more homogeneous than the U.S.
- British media consumption is more consolidated than in the U.S.
- Advertising rules are much stricter in the U.K.
Media: At the same time, Brits are all reading from the same page. Check this startling statistic from The Economist:
Each week 98% of adults in Britain use a BBC service. Its website receives 20m British visitors a month, according to ComScore, a firm which keeps tabs on these things. That is a third of the population--around the same as the proportion of Americans who log on to Facebook.And if they're not reading or watching the BBC, they're getting their news from just six or so national newspapers. With everybody staying informed in the same way about the same things, it becomes even easier to work in creative shorthand.
The rules: Combine those two factors with the U.K.'s often comically restrictive advertising rules, and you've got a situation in which a high level of creativity is enforced rather than merely an option. Free speech is a tradition, not the law, in Britain, and companies are restricted about how they can advertise their products. Check out the rules for car advertising, for instance:
There must be no suggestion that a vehicle is to be preferred because of its power or speed.With a restriction like that, what is an ad agency to do? Absolutely anything else you could possibly think of, is the answer, which is how this unpleasant, nightmare-ish ad for the Audi RS4 Quattro, which hardly shows the car, got made (video below). And that's nothing. The rules for alcohol advertising essentially prevent advertisers from showing anyone drinking, let alone enjoying it.
So the next time you hear someone wondering why it is that the Brits seem more creative you can answer: It's not about the talent -- which America probably has more of on a numerical basis -- it's about the narrowness within which British talent must operate, and break out of. Necessity is indeed the mother of invention, it turns out.
Image by Flickr user harshilshah100, CC. Related:
- BNET's 10 Worst Ads of 2009
- 5 Examples of the Commodification of Creativity That Sound a Death Knell for Art Directors
- Research Says Women Can't Be Top Creative Execs Because They Have Babies
- Hitler Surprisingly Popular With Foreign Advertisers; Dictator Touts Hats, Chopsticks, Pens and Thumb Drives