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Fright Right Again At Box Office

A featured dish by Katie Lee.
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Those scary boogeymen are continuing their reign of terror at movie theaters.

"Boogeyman" was the latest in a rush of horror flicks to top the weekend box office, debuting with $19.5 million to beat the romantic comedy "The Wedding Date," which opened in second place with $11 million, according to studio estimates Sunday.

Also this weekend, the Screen Actors Guild became the latest group to hand out pre-Oscars awards, and muddied the Best Picture waters.

The road-trip comedy "Are We There Yet?" came in third in estimated weekend receipts with $10.4 million, raising its total after 17 days to $51.1 million. "Hide and Seek," another fright film that led the box office the previous weekend, slipped to No. 4 with $8.9 million, lifting its 10-day gross to $35.7 million.

Business was relatively quiet because of the Super Bowl, which keeps many moviegoers at home. But for a Super Bowl weekend, Hollywood had a fairly strong showing, with the top 12 movies grossing $91 million. Over Super Bowl weekend last year, the top 12 took in $73.4 million.

"Boogeyman" stars Barry Watson as a man who tries to overcome his fear of what's lurking in the closet by spending a night in the boyhood home that is the source of his terror. The movie was made by "Spider-Man" director Sam Raimi's horror-production outfit Ghost House Pictures, which also made last fall's hit, "The Grudge."

As with "Hide and Seek" and other recent scary movies such as "White Noise" and "Saw," "Boogeyman" overcame harsh critical reaction to draw in the always faithful horror crowd. "Boogeyman" did not screen beforehand for critics, generally a sign the studio knows a movie will get bad reviews.

"I certainly believe it's a genre where people are going to be more moved by the marketing materials they see for the movie than by what the critics say," said Rory Bruer, head of distribution for Sony Pictures, whose Screen Gems banner released "Boogeyman."

Helping to prime the path, the trailer for "Boogeyman" ran before screenings of "The Grudge," allowing the new movie to ride the coattails of that $100 million hit.

Many fright flicks tend to open well, and then quickly vanish from theaters as the horror audience moves on to something else. Produced for just $7 million though, "Boogeyman" should turn a tidy profit even if revenues nosedive in subsequent weekends.

Also trashed by critics, "The Wedding Date" stars Debra Messing as a woman who hires a male escort as her companion to a wedding to show up her ex-fiancé, who's the best man.

Like "Boogeyman," "The Wedding Date" was a comparatively low-cost movie, with a budget under $15 million, meaning it should turn a solid profit.
Given Messing's audience appeal from her sit-com "Will & Grace" and a relative lack of current movie choices for women, "The Wedding Date" was able to draw in a good portion of the female crowd. Women accounted for three-fourths of the movie's audience.

"I've always believed you don't have to have a big budget to have a successful movie if you have the benefit of a movie that hits a basic appeal button," said "Wedding Date" producer Paul Brooks, whose other low-budget hits include "White Noise" and the romantic-comedy blockbuster "My Big Fat Greek Wedding."

Estimated ticket sales for Friday through Sunday at North American theaters, according to Exhibitor Relations Co. Inc. Final figures were to be released Monday.

    1. "Boogeyman," $19.5 million.

    2. "The Wedding Date," $11 million.

    3. "Are We There Yet?", $10.4 million.

    4. "Hide and Seek," $8.9 million.

    5. "Million Dollar Baby," $8.8 million.

    6. "The Aviator," $5.4 million.

    7. "Meet the Fockers," $5 million.

    8. "Sideways," $4.8 million.

    9. "Racing Stripes," $4.43 million.

    10. "Coach Carter," $4.4 million.

Several of the films on that list got Screen Actors Guild (SAG) awards Saturday.

The Early Show contributor Jess Cagle, who's also Senior Editor of People Magazine, attended the ceremony.

Cagle says Jamie Foxx looks like the frontrunner for the Best Actor Oscar after adding a SAG Award to his growing collection of honors for his role in "Ray."

But the SAG trophies were evenly distributed, with no one film dominating the night.

One big surprise, though, leaves the Best Picture race up for grabs, Cagle observes.

"Million Dollar Baby" packed a one-two SAG punch with a Best Actress win for Hilary Swank and a supporting actor award for Morgan Freeman.

"The Aviator" scored only one win: Cate Blanchett for her supporting role as Katharine Hepburn.

Instead of a Best Picture award, the Screen Actors Guild give its top prize to the best ensemble. And in an upset, the cast of the wine country comedy "Sideways" beat its big-name competitors.

On the TV side, those "Desperate Housewives" became trophy wives, Cagle notes. They were named best comedy cast. Teri Hatcher was singled out for acting honors.

The cast of "CSI" took the ensemble award in the drama category.

James Garner celebrated his fifty years in the guild, accepting a life achievement award to a standing ovation.