Mystery writer Dennis Lehane's work is anything but predictable. He started out with a five-part series about a pair of private investigators and then gave us his first stand-alone novel, "Mystic River," which brought a new cast of characters and a plot filled with murder and intrigue.
His latest, "Shutter Island," examines mysterious events that take place at a mental institution on a remote island during a hurricane.
Lehane first won over readers with his Patrick Kenzie/Angela Gennaro series, which focused on Boston-based investigative partners who have been friends since childhood. The five books earned him glowing reviews and a dedicated following, but he really hit the big time two years ago with his first stand-alone novel "Mystic River." That book, which dealt with old friendships and a modern-day murder, had a brand-new set of characters, but a familiar setting: Boston.
The combination of old and new kept Lehane's core audience hooked and brought in lots of new readers, too. As a result, "Mystic River" spent nine weeks on the New York Times bestseller list and earned rave reviews. In addition, "Mystic River" is soon to be a major motion picture directed by Clint Eastwood, and starring Sean Penn, Kevin Bacon, Tim Robbins, Laurence Fishburne, Marcia Gay Harden and Laura Linney. It will be released in fall 2003.
Read an excerpt from Lehane's latest, "Shutter Island":
"Teddy Daniel's father had been a fisherman. He lost his boat to the bank in '31 when Teddy was eleven, spent the rest of his life hiring onto other boats when they had the work, unloading freight along the docks when they didn't, going long stretches when he was back at the house by ten in the morning, sitting in an armchair, staring at his hands, whispering to himself occasionally, his eyes gone wide and dark.
He'd taken Teddy out to the islands when Teddy was still a small boy, too young to be much help on the boat. All he'd been able to do was untangle the lines and tie off the hooks. He'd cut himself a few times, and the blood dotted his fingertips and smeared his palms.
They'd left in the dark, and when the sun appeared, it was a cold ivory that pushed up from the edge of the sea, and the islands appeared out of the fading dusk, huddled together, as if they'd been caught at something.
Teddy saw small, pastel-colored shacks lining the beach of one, a crumbling limestone estate on another. His father pointed out the prison on Deer Island and the stately fort on Georges. On Thompson, the high trees were filled with birds, and their chatter sounded like squalls of hail and glass.
Out past them all, the one they called Shutter lay like something tossed from a Spanish galleon. Back then, in the spring of '28, it had been left to itself in a riot of its own vegetation, and the fort that stretched along its highest point was strangled in vines and topped with great clouds of moss.
"Why Shutter?" Teddy asked.
His father shrugged. "You with the questions. Always the questions."
"Yeah, but why?"
"Some places just get a name and it sticks. Pirates probably."
"Pirates?" Teddy liked the sound of that. He could see them -- big men with eye patches and tall boots, gleaming swords.
His father said, "This is where they hid in the old days." His arm swept the horizon. "These islands. Hid themselves. Hid their gold."
Teddy imagined chests of it, the coins spilling down the sides.
Later he got sick, repeatedly and violently, pitching black ropes of it over the side of his father's boat and into the sea.
His father was surprised because Teddy hadn't begun to vomit until hours into the trip when the ocean was flat and glistening with its own quiet. His father said, "It's okay. It's your first time. Nothing to be ashamed of."
Teddy nodded, wiped his mouth with a cloth his father gave him.
His father said, "Sometimes there's motion, and you can't even feel it until it climbs up inside of you."
Another nod, Teddy unable to tell his father that it wasn't motion that had turned his stomach.
It was all that water. Stretched out around them until it was all that was left of the world. How Teddy believed that it could swallow the sky. Until that moment, he'd never known they were this alone.
He looked up at his father, his eyes leaking and red, and his father said, "You'll be okay," and Teddy tried to smile.
His father went out on a Boston whaler in the summer of '38 and never came back. The next spring, pieces of the boat washed up on Nantasket Beach in the town of Hull, where Teddy grew up. A strip of keel, a hot plate with the captain's name etched in the base, cans of tomato and potato soup, a couple of lobster traps, gap-holed and misshapen.
They held the funeral for the four fishermen in St. Theresa's Church, its back pressed hard against the same sea that had claimed so many of its parishioners, and Teddy stood with his mother and heard testimonials to the captain, his first mate, and the third fisherman, an old salt named Gil Restak, who'd terrorized the bars of Hull since returning from the Great War with a shattered heel and too many ugly pictures in his head. In death, though, one of the bartenders he'd terrorized had said, all was forgiven...."
The Work of Dennis Lehane
The Patrick Kenzie and Angela Gennaro series:
"A Drink Before the War," 1994
"Darkness, Take My Hand," 1996
"Gone Baby Gone," 1998
"Prayers For Rain," 1999
"Mystic River," 2001
"Shutter Island," April 15, 2003