October 16, 2011 7:13 PM

The life and death of Vincent van Gogh

In the 1956 interview, Rene Secretan does make it clear that he got the pistol from Ravoux, the innkeeper. Secretan was never asked if he was directly involved in Vincent's death, carrying that answer to his grave a year later. He did claim that Vincent stole the gun from him and that he and his brother had left Auvers by the time of the shooting. But Naifeh and Smith say that's unlikely.

Safer: So if it wasn't suicide, what does the evidence point to?

Naifeh: What the evidence points to is that this incident took place not in the wheat fields, but in a farmyard on the Rue Boucher. That it involved these two boys. And that it was either an accident or a deliberate act. Was it playing cowboy in some way that went awry? Was it teasing with the gun with Vincent lunging out? It's hard to know what went on at that moment.

But the theory could explain Vincent's remark to the police before he died: "Don't accuse anyone else," he said. And it fits the rumors John Rewald heard long ago:

Naifeh: That a couple of kids had shot Vincent van Gogh and he decided to basically protect them and accept this as the way to die. These kids had basically done him the favor of, of shooting him.

Safer: So he was covering up his own murder?

Naifeh: Covering up his own murder.

However he died, Vincent may have welcomed death. He felt guilty over his dependence on his younger brother Theo, who was in failing health himself.

Naifeh: He knew that he was a burden to Theo. So there's something wonderfully sweet and touching about the fact that Vincent would accept death partly to end his own misery. But even more so to take this terrible burden off of his beloved ill brother's shoulders.

Before his burial, there was a gathering at the Ravoux Inn to remember Vincent.

Sunflowers, of course. And on the walls, some of his Auvers paintings. The wheat fields. The town hall. A portrait of Adeline Ravoux, the teenager who served dinner every night to the troubled man who'd lived in the tiny room upstairs. The man who once wrote: "As a painter, I will never amount to anything important. I am absolutely sure of it."

Naifeh: The miracle is that this alienated person ended up becoming the most popular artist of all time. So he achieved exactly what he set out to achieve. I mean -

Smith: Yeah.

Naifeh: He did provide consolation for humanity. And that really is one of the great miracles of this story.

Thanks to David Brooks, vggallery.com and Van Gogh Museum Amsterdam (Vincent van Gogh Foundation)



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