The plan adopted last year by the RIAA, the trade group for the four largest recording companies, in place of its controversial litigation campaign seems to have gone nowhere. The RIAA said at the time that it had struck partnerships with major Internet service providers, the Web's true gatekeepers, and that they would help choke off online piracy.
It was all supposed to be a done deal. The Wall Street Journal, which broke the news about the RIAA's strategy shift, wrote on December 19, 2008, that the RIAA had "hashed out preliminary agreements with major ISPs." According to the Journal story, the ISPs were supposed to join a deterrent program designed to gradually increase pressure on accused copyright violators. As part of the so-called "graduated response," RIAA officials told me that ramifications for repeat offenders would escalate, starting with the
Music execs had told me much the same thing and I wrote last year that AT&T and Comcast were
Some ISPs, including AT&T, Comcast, and Verizon, appear to be
But here's the big question about the RIAA's graduated response plan: is it worth anything without a legitimate threat backing it up? It's difficult to believe that sending letters is enough of a deterrent.
Mitch Bainwol, the RIAA's chairman and CEO, acknowledges that his organization hasn't achieved all of the goals it laid out a year ago, but he says that the ISP strategy is well thought out, progressing, and has already seen dramatic results.
"We've seen a million notices [from ISPs to customers suspected of file sharing] go out over the past year and that is certainly meaningful," Bainwol told CNET last week. "Are we prepared to make an announcement that is broad in scope and cuts across ISPs? No. Are we engaged in significant discussions that we believe will ultimately prove productive? Hell yes."
Maybe so, but these deals were supposed to have been done or nearly done a year ago. What happened to those "hashed out preliminary agreements" that the Journal wrote about?
Multiple music sources have told me over the past month the RIAA leaders were feeling pressure to drop the lawsuit campaign, but were also being lobbied by some at the labels to put some kind of deterrent in place, even if totally toothless. They didn't want the public to think there weren't any consequences to pirating music, even if the reality was exactly that.
According to those sources, the announcement about the ISP strategy last December was little more than a scarecrow.
Bainwol didn't comment on that but did say: "The substance of our pivot to ISPs is in fact accurate. The broader arrangement that cuts across the ISP community is still out there to be tied down. There clearly are discussions going on."
The reason that some at the labels wanted an end to the litigation is that for years it brought down mountains of public scorn. The
The decision was made to continue to pursue the suits already in the courts, but the wide-scale practice of suing individuals was over.
Here's the other reason that several of the music-industry sources say the RIAA acted before any deal was done: to fire a shot across the bow of some of ISPs that were dragging their feet. By spreading the word that the RIAA had sewn up a deal with a group of big ISPs, RIAA managers hoped they were ratcheting up the pressure to join, sources say.
They also turned to Andrew Cuomo, New York's state attorney general, to nudge the ISPs into fighting piracy in the same way he pushed them to combat
Nothing in the Digital Millennium Copyright Act requires ISPs to adopt a graduated response or even send their own warning letters.
"I don't know that the (ISPs) are legally obliged to do it," said Jonathan Zittrain, a noted cyberlaw expert and author. "I don't know any ISP that has been sued over it...The industry has chosen not to provoke a fight."
One reason for that may be that many bandwith providers want greater access to top entertainment content. The best example of that is Comcast's proposed acquisition of NBC Universal. To many in the film and music sectors, it appears that the interests of entertainment companies and ISPs are aligning.
"We've seen great progress and great cooperation from many of the ISPs," Bainwol said. "Getting to a public uniform understanding about how we're going to work together is obviously an extraordinarily complicated endeavor...[piracy] is a problem that developed over years and a solution is going to take time but we're achieving progress toward that goal."
To be sure, in some ways the music industry's digital strategy has never been in better shape. It's never been easier or less expensive to acquire music legally than it is at such sources as iTunes, Amazon, and Pandora.
The music sector
"I'm not locked into any particular definition," Bainwol said. "I think the parties that are negotiating and having discussions about what kind of program is appropriate will define how you work a graduated response program. The question here is: Are we working with the ISPs? Will there be some kind of graduated response program, where the infringer is made aware when they're caught and also when there are escalating tensions.
"We'll be flexible about how we get to a deal," Bainwol continued. "We'll let others define the poles of the position."