
Even in tough times, contemporary art sells
April 1, 2012 4:00 PM
Morley Safer is back on the art beat, and although he doesn't like much of what he sees at Miami's Art Basel, there's no denying that sales are strong.
Even in tough times, contemporary art sells
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Art today is no longer valued and admired in terms of the inspirational, creative and aesthetic qualities its compositions evoke. The most sort after works in this era of postmodernism possess little if any of these attributes. In its place the gate keepers place before us basketballs floating in fish tanks, cigarette butts in ashtrays and hats of enormous size to name but a few. And this attitude of estrangment does not only present itself at Basel; to be sure it is everywhere. Museums are controled by dealers, particularly in New York, who in turn influence their curators in what exhibits to offer (sell). Art critics no longer "judge" art; they usually just "describe" it mostly in vague "art speak" terms. The academies support the "concept" theory behind postmodernism and in a sense perpetuate and contribute to the degradation of art by indoctrinating wave upon wave of art students with its seriously flawed principles.
The art of the era of postmodernism derives and is measured for its importance by how much it can be sold for. As you correctly conclude Mr. Safer, art has become a commodity object fueled by an excess of new capital.
Art at the summit of human achievement is also well known to be prophetic. Sadly, the worldwide state of art's cultural demise may also constitute its dramatic clarion call to us warning of the decline in human civilization. Collage Artist- George Sakkal
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