Sept. 20, 2009
Anna Wintour, Behind The Shades
60 Minutes' Morley Safer Interviews Vogue's Editor In Her First Lengthy U.S. TV Profile
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Play CBS Video Video Anna Wintour The sunglasses come off the high-queen of haute couture in this rare and unprecedented interview. Morley Safer reports.
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Photo Essay In the Front Row There are a lot of famous faces along the Fashion Week runways
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Photo Essay More from Fashion Week Presentations from Alexander Wang, Lacoste, Vivienne Tam, Christian Siriano and more
She is said to be the most powerful woman in fashion and she does nothing to dispel that belief. Her name is Anna Wintour, a name that strikes terror in some, loathing in others, and transforms yet others into obsequious toadies.
It should also be said she commands a loyal band of friends and admirers. Nevertheless, she was the inspiration for the novel and movie "The Devil Wears Prada."
For 21 years, this divorced mother of two has been editor of Vogue, the last word in sophisticated fashion and fantasy.
The aura of mystery that surrounds the 59-year-old Wintour is palpable. She is a paparazzi and gossip column magnet. Every twitch, every frown, every suppressed smile is recorded.
She's been portrayed as Darth Vader in a frock, or less harshly, as "Nuclear Wintour." Or is she really just peaches and cream, with a touch of arsenic?
"The blurb on your unauthorized biography reads 'She's ambitious, driven, needy, a perfectionist. An inside look at the competitive bitch-eat-bitch world of fashion' Accurate?" 60 Minutes correspondent Morley Safer asked Wintour.
"Well, I am very driven by what I do. I am certainly very competitive. What else? Am I needy?" she replied. "I'm probably very needy, yes. I'm, a bitch…."
"Perfectionist?" Safer asked.
"Perfectionist?" she asked.
"Well, let's try bitch first," Safer said.
"Well, I hope I'm not. I try not to be. But I like people who represent the best of what they do and if that turns you into a perfectionist than maybe I am," she replied.
High above Times Square, Anna Wintour oversees a small army of girls - coiffed, skinny, beautiful and running scared - the worker bees whose job it is to inspire women to dream.
The pages of Vogue conjure up a never-never land of beauty, of the sweet life. The unattainable comes to glossy life. Under Wintour's direction, Vogue has been hugely successful.
"Vogue is the best of everything that fashion can offer, and I think we point the way. We are, you know, a glamorous girlfriend," she told Safer.
But the glamorous girlfriend, like Vogue readers, is facing leaner times: "I do wanna make the point that September really has to be about value. But we don't want to give up completely the dream and the fantasy but I also feel like we need to have a sense of being more grounded," she told her staff during an editorial meeting.
Wintour is involved in every detail of the magazine: the clothes, editing the pictures and articles. She is decisive, impatient and bears a look that says "I'm the boss, and you're boring."
"Should I do the faces of the moment because that's what we have on the cover or should I just still keep thinking?" one editor asked her, presenting a spread.
"Keep thinking," Wintour curtly replied.
"An editor in the final analysis is a kind of the dictator - a magazine is not a democracy?" Safer asked.
"It's a group of people coming together and presenting ideas from which I pick what I think is the best mix for each particular issue but in the end the final decision has to be mine," she explained.
Produced by Ruth Streeter
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See all 45 CommentsDavid
Nancy
Beverly Miller
San Diego, CA
Anna Wintour seemed to handle it well. She was professional.
Morley Safer focused too much on her "******" titles and reputation instead of her admirable, and difficult, position at helm of the billion dollar fashion industry. If he were interviewing a man who wielded as much power as Anna does, would he spend that much time discussing their ****** qualities? While she is far from being a cuddly person, she deserves to be taken seriously for her business savvy, dedication to the industry and her ability to keep it professional.
I also felt that he should have done his homework, to make silly digs about the tailoring and attire of two of the most influential designers of the past two decades, John Galliano and Karl Lagerfeld, of Dior and Chanel respectively, shows a lack of research and knowledge about his story topic. They may not dress in his style but they are immensely talented,hard working and worthy of respect when referenced in the context of a story about fashion Vogue.
I would not be surprised if Morley's wife and other female colleagues did not own, or at least wish they owned, a piece of Chanel or Dior clothing, made by these ghoulish men in "badly tailored clothing." I do.
One more note:
After reading the comments here online, I suppose that during a recession it's easy to belittle the often excessive and extravagant fashion industry. I absolutely agree that the excess has been ridiculous and often distasteful.
But it ccurred to me that during a recession, jobs matter and the American fashion industry employs many people. Michelle Obama might agree. Her scrutinized and documented clothing choices are always designed by Americans. Good for our economy and good for morale.
Steal the design of a jacket from the 40's then add a blouse and vest from the 50's then combine those with pants or a skirt from the 70's throw in a pair of shoes from 1700's. Put them on a malnourished model and then charge $1,300.00 for it and.................................... BOOM you're a fashion designer.
To become a successful fashion designer you'll have to do the above plus kiss up to Anna Wintour
Seems to me like you guys were the "obsequious toadies." How can this often-revered newsmagazine waste our time with such nonsense? Where was the news peg?
And as I said before, this isn't journalism. No one cares. It's sad to see how much money was wasted on a segment that seemed to like a glorified PR piece.
I found the interview uninformative (there was very little on the creative process) and sexist.
Would Mr. Safer ever call a male interviewee a "prick?'' or a "**************''?
I don't think so.
Sincerely, Sylvia Rubin
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