Dec. 7, 2008
The Multitalented Mr. Schnabel
Morley Safer Profiles Julian Schnabel, A Titan Of The Film And Art World
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Play CBS Video Video Kinkade Thomas Kinkade is the world's most popular living artist and is a master at marketing his work, as Morley Safer found in 2001.
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Video Renaissance Man His painting took the art world by storm in the 1980s and then Julian Schnabel reinvented himself as a film director to more kudos. Morley Safer profiles this titan of art and film.
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Julian Schnabel (CBS)
"Speaking of critics, your old nemesis Robert Hughes once said that you are to painting what Stallone is to acting," Safer remarks.
"Is this really what you want to do?" Schnabel asks. "I mean Robert Hughes is, he’s sort of like a guy, a bully in a bar that’s sitting around waiting for somebody to trip on a banana peel."
Robert Hughes is the highly respected, sometimes venomous, art critic formerly at Time Magazine, who took great delight in dismissing Schnabel as a schlockmeister.
"I mean, he’s a bum," Schnabel says.
But he says he doesn't have a real "thing" about him. "I just don’t like him. So if you wanna talk about him, you can talk about him all you like."
"We're trying to cover all aspects of…," Safer remarks.
"Hey, do whatever you want. I mean, you know, I expect you to be exactly the way you wanna be, but I will be the way that I'm gonna be. And I feel like conforming to talk about this guy that had, you know, he really was basically a very negative person," Schnabel said.
Safer tried to shift gears, and talk instead about Schnabel’s transition from painting to moviemaking.
"Was that something that had always been at the back of your mind, even as a painter?" Safer asks.
"I’m still pissed off about talking about Robert Hughes. I’m sorry, I just think that it’s lazy. I think it’s very lazy," Schnabel replies.
Produced by David Browning
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See all 27 CommentsBy the way, I love Andy Rooney, infact, that''s the only part of 60 minutes I like, but that''s not enough to keep me watching.
Morley Safer''s mention of Hughes'' negative criticism was a journalistic low-point considering that Schnabel has such an impressive track record by now.
How would Mr. Safer react if when himself interviewed, he is being asked to answer to scathing criticism by a reviewer who understands no English? That would be laughable. And what if it is not happening in the relatively straight-forward world of journalism, but in a field where visionaries often have to endure years of abuse by those who are practically blind to their work? Mr. Schnabel has a cause to be upset.
Unless Mr. Safer was specifically assigned to this article as a rep of the artistically-defensive population, 60 Minutes should really do better job matching in the future.
How does he as an artist get to that level of fame?
If you want to see REAL art... photo realistic..done by hand..not airbrushed..or dumped/splashed on a wall or canvas.. take a look at www.melendezmurals.com
Here is a true and unknown artist with real talent, who struggles to get his work seen and known.
Pass the word on gang...let''s give REAL talent worthy of the title... ''Artist''.
Thanks!
Your interview with Julian was very fair, but going into the Robert Hughes hook was a little tacky. It made for great television but I bet you knew it would send him over the edge. I enjoyed this segment but it didn''t do Mr. Schnabel any good coming off as such an A*#&hole. The ending about ego was terrific. You go Morley!
Mr. Schnabel has no talent, but apparently there are enough people who don''t want to be told that they just don''t get it, so they buy his garbage and hang it proudly, telling their guests, "You just don''t GET it! It cost me a fortune!". Schnabel = Schlock
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