LOS ANGELES, Nov. 17, 2008

Box Office Bonanza For Latest Bond Flick

$70.4M Take For "Quantum of Solace" Easily Wins Weekend Race, Breaks Numerous "007" Records

  • Daniel Craig as James Bond in

    Daniel Craig as James Bond in "Quantum of Solace"  (MGM Pictures)

  • Photo Essay Bonding In NYC

    DeNiro welcomes Bond to Tribeca for "Quantum Of Solace" premiere

  • Photo Essay Royal Red Carpet

    Two British princes attend Bond movie premiere in London.

(AP)  James Bond's quantum of the weekend box office: $70.4 million.

"Quantum of Solace," with Daniel Craig returning as Bond for the first direct sequel in the spy franchise, pulled in nearly $30 million more over its opening weekend than its predecessor, 2006's "Casino Royale," according to studio estimates Sunday.

The debut also topped the previous opening-weekend record for a Bond flick, $47 million for 2002's "Die Another Day."

Adjusting for inflation, Sony's "Quantum of Solace" easily drew a bigger audience than that installment, the last Bond adventure featuring Pierce Brosnan. Based on 2002 admission prices, about 8.1 million tickets were sold for "Die Another Day" in the first weekend, compared to 9.8 million for "Quantum of Solace."

Two years ago, Craig was an unknown quantity as Bond, a stage-trained actor with little action experience and a resume that tended toward small, artsier films. Many fans were unhappy with the casting choice, but the critical and commercial success of "Casino Royale" silenced the critics.

"Quantum of Solace" picks up where "Casino Royale" left off, with Bond seeking to avenge the death of his lover.

"With 'Casino Royale,' people were rediscovering the franchise in a way with Daniel Craig as James Bond," said Rory Bruer, head of distribution for Sony. "Quite frankly, they loved it. They loved the movie, and they loved him in the role, so I think by the time `Quantum of Solace' was ready, audiences in the U.S. as well as the world audience was way ready."

"Quantum of Solace" began rolling out overseas two weekends before its U.S. debut, and its worldwide total now stands at $322 million.

DreamWorks Animation's "Madagascar: Escape 2 Africa," which debuted at No. 1 the previous weekend, slipped to second place with $36.1 million, raising its 10-day total to $118 million.

"Quantum of Solace" gave a huge boost to overall revenues as Hollywood heads toward the Thanksgiving holiday in late November, one of the year's busiest weekends at theaters. The top 12 movies took in $142.9 million, up 54 percent from the same weekend a year ago, when "Beowulf" led the box office with $27.5 million.

Movie revenue is running 1 percent ahead of 2007's record pace, when the industry took in $9.7 billion, according to box-office tracker Media By Numbers. Factoring in inflation, the number of tickets sold this year is 3.5 percent behind 2007's, though.

The next two weekends will bring more likely hits, including the vampire romance "Twilight," John Travolta and Miley Cyrus' animated comedy "Bolt" and Reese Witherspoon and Vince Vaughn's holiday romp "Four Christmases."

"Hollywood is in the best possible position right now, because it's all about momentum, and the industry certainly has that heading into the all-important holiday period," said Paul Dergarabedian, president of Media By Numbers.

Fox Searchlight's "Slumdog Millionaire" had an impressive debut in limited release, taking in $350,434 in 10 theaters for a strong average of $35,043 a cinema. By comparison, "Quantum of Solace" averaged $20,400 in 3,451 theaters.

A film festival favorite, "Slumdog Millionaire" was directed by Danny Boyle ("Trainspotting," "28 Days Later") and follows the alternately heartwarming and horrific life of a poor youth who becomes a contestant on India's version of "Who Wants to Be a Millionaire?"

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Media By Numbers LLC. Final figures will be released Monday.

1. "Quantum of Solace," $70.4 million.

2. "Madagascar: Escape 2 Africa," $36.1 million.

3. "Role Models," $11.7 million.

4. "High School Musical 3: Senior Year," $5.9 million.

5. "Changeling," $4.2 million.

6. "Zack and Miri Make a Porno," $3.2 million.

7. "Soul Men," $2.43 million.

8. "The Secret Life of Bees," $2.4 million.

9. "Saw V," $1.8 million.

10. "The Haunting of Molly Hartley," $1.6 million.

© MMVIII The Associated Press. All Rights Reserved. This material may not be published, broadcast, rewritten, or redistributed.
Add a Comment
by caliengineer November 17, 2008 7:59 PM EST
See that 322 in there? As in $322 million in sales? That is the secret number of the Skull & Bones crew from the Ivy League schools. The worship Molech (satan) at Bohemian Grove. The number in the article identifies the movie as carrying something the Masons/Shriners/Bonesmen want to get out.

There is a "322" or "32" hidden in every major motion picture release. It has been this way since at least the 40''s. Test it: Go get a movie, and watch it looking for the 32 or 322.

32 is the secret number of the Masons & Shriners and of the Knights of Malta and the Jesuits.

Here are some examples: In "The Fifth Element", when the alien woman falls into Bruce Willis'' cab, the phone number on the "please help" sign ends in 322.

In the movie Truman, Carey''s character Truman boards the bus to escape the island. The bus number is 322. The 322 reads from left to right from both sides- they move the number so it is easily recognized.

Also, the amounts raised by Giuliani and the mormon were reported as $322 million- showing the secret society endorsement of those men early in the campaign. Obama also uses 32, but much more discreetly.
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by timetrips1 November 17, 2008 3:49 PM EST
fsw3: I think you miss the point of Bond''s amoral activities. He works for King and Country. His actions are santioned (same as a soldiers) because he works for a higher purpose, not the self-gratification we would attribute the same actions to in an ordinary criminal. We should also remember this is a fictional character in a fictional world. So we can all enjoy Bond defeating the "bad guys" and not suffer through the moral mine field of how/why he does it.
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