Aug. 17, 2008
The Lost Leonardo Da Vinci
An Art Detective's Quest To Find A Lost Leonardo Da Vinci Masterpiece
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Play CBS Video Video The Lost Leonardo The Leonardo DaVinci masterpiece, The Battle of Anghiari, is thought to be lost forever, but an art detective thinks he has solved the mystery of the missing mural. Morley Safer reports.
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This is what "The Battle of Anghiari" by Leonardo da Vinci is believed to look like. (CBS)
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Maurizio Seracini (CBS)
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And close to the ceiling, Seracini has discovered another tantalizing clue impossible to see from the floor below: the words "Cerca Trova" painted on a flag - "Seek and ye shall find." Was it a message from Vasari to the future?
"Is all this a coincidence? Maybe. If it is, it's a very nice coincidence," Seracini says.
Off and on for 30 years, Seracini has prowled this building, trying to sort out what happened to the Leonardo. Five hundred years ago, the palazzo attracted the greatest musicians, painters and sculptors of the age, summoned there by the Medici, the rulers of Florence for much of the Renaissance. They were a family with a ruthless gift for profit and position, and a passion for art.
In the map room, the Medici plotted strategy; they prayed in their private chapel. The palazzo also has its grisly history: the renegade priest Savonarola was jailed in the tower, then publicly burned at the stake in the piazza below.
It was in 1504 that the republican government of Florence commissioned Leonardo to paint the battle of Anghiari.
Leonardo turned up at the palazzo carrying a small painting he'd been working and re-working. He set it aside, and began his preliminary drawings for the battle scene. The "little" painting he carried was none other than the Mona Lisa.
"Do you ever feel there's a ghost of the master looking over your shoulder?" Safer asks Seracini.
"Well, I don't know if I can say that I felt the presence of Leonardo. What I can say is, it has to be there. Right there. We’ll find out," he replies.
Seracini's search is the culmination of a career using 21st century technology to unlock ancient history. His tools are lasers, ultrasound, ultraviolet light, and heat mapping - things even the genius Leonardo never dreamed of.
Produced by David Browning
© MMVIII, CBS Interactive Inc. All Rights Reserved.
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See all 21 CommentsPosted by jh6379"
Different era, people today love cheap and trashey because in a couple of years they toss it and buy something else. You couldnt even find someone willing to spend 4 years painting a ceiling laying on their back on a scaffold for the equiv of maybe $1 an hour today!
http://en.wikipedia.org/wiki/Sistine_Chapel_ceiling
This is an incredible find!!
This is an incredible find!!
http://www.ns.umich.edu/htdocs/releases/story.php?id=6300
One wonders who he was to be able to "see" the future. He lived in a time when it was not acceptable, yet as an artist he could draw these things. Makes one wonder!
Shame on the uneducated American''s who are boorish in their taste and do not have any type of class. go play with your playdoh and paint by number sets.
Posted by shafteriffic
Here''s a great example of why Europeans in general think Americans are rude, crude and clueless.
Posted by sincityq
Assuming its there, any number of reasons, political, severe damage, was barely started and then stopped, or even to hide/protect it against damage during some conflict and then forgotten.
Im hardly ignorant of art, Im an artist and antique collector, no one was suggesting they drill a hole large enough through the center of it to drive a truck through! a 3 mm dia hole on a MURAL SIZED painting they need a scaffold to reach is hardly going to ruin the painting.
"As for the *** with the acrobat nets and moving the statue, I think the author of the story was merely giving you an idea as to how high the scaffolding was.
Posted by spadeisspade"
You insult the guy for his concern? easiest way to deal with this is don''t carry anything like hammers, crowbars or bricks up on the scaffold to begin with.
As for the *** with the acrobat nets and moving the statue, I think the author of the story was merely giving you an idea as to how high the scaffolding was.
Hello? Why not move the statue out of the way temporarily? If that''s not practical, perhaps they could put up a net under the worker like the ones used by circus acrobats, to catch anything that might fall and save the artwork below. If it is, why not do both?
I can''t believe I''m the only one on this planet (or at least in your audience) who thought of these things. Granted, I haven''t read every word of every post in this blog, if that''s what you call it. But I did glance at all the ones on this page, anyway. Mostly I saw suggestions about drilling small holes in the wall, although your story talked about x-ray and/or other devices that can see through paint, which would seem to make such holes unnecessary.
They worry about touching this or that or drilling a tiny hole when there''s far more things to worry about- like the next earthquake that could collapse that building. Nothing lasts forever unfortunately, and at some point a quake, fire, flood or war will almost certainly damage/destroy this building and many others.
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