Some Women Just Have A Gift For Music
Patty Griffin, Lucinda Williams, Mavis Staples And Rickie Lee Jones Have New Albums
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Photo
Lucinda Williams has a new album called "West." (AP Photo/Stew Milne)
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Photo Essay
Gifted Female Songwriters
Lucinda Williams, Patty Griffin, Rickie Lee Jones and Mavis Staples.
I don't know if women are smarter than men but it does seem lately that female singers have more interesting things to say than a lot of male musicians do.
I don't mean to give points to the other team, but in the new records I’m hearing a lot of men limit themselves to a few narrow musical and thematic categories, while the woman seem free to break down walls and go wherever inspiration moves them.
Let's look at the evidence:
Patty Griffin is a songwriter's songwriter. Her work has been recorded by the Dixie Chicks, Reba McEntire, Emmylou Harris and many others, and "10 Million Miles," a musical based on her songs, has just opened in New York.
Patty Griffin's latest album is called "Children Running Through," and it might be the best record she’s ever made. There's still the folk and country influences her fans expect, but Griffin moves toward R&B and a kind of ecstatic gospel singing on some of this material. It suits her. It's a warm, smart, grown-up piece of work.
Speaking of gospel — speaking for that matter of folk, country and R&B — Mavis Staples' latest album is called "We'll Never Turn Back." The voice of the Staples Singers has teamed up with producer Ry Cooder, another legend of American roots music. What an inspired couple they make. I was scared when I heard the premise of the record — new recordings of standards from the civil rights era. I thought, "Oh, I don't know, that sounds like 'Take Your Medicine, It's Good For You.'" But I put on the CD and forgot about the history lesson.Photos: Gifted Female Songwriters
While these songs might have been written a long time ago out of longing for justice overdue, Mavis uses them now to express righteous anger for promises broken. You know what you get when you put the vitality of righteous anger into the forms of folk and gospel? You get rock 'n' roll. Mavis Staples has molded bits and pieces from 50 years ago into a great rock 'n' roll album. Don't miss it.
A whole different recombination of rock, soul and folk inspires Rickie Lee Jones’ new CD, "The Sermon On Exposition Boulevard" - a collection of spirituals for lost souls. These are songs in the voices of characters in the background of the New Testament, someone in the crowd at the Sermon on the Mount, a Roman soldier who was in Jerusalem at the time of the crucifixion and is trying to understand what he saw. The songs struggle to make sense of transcendence. They are in the voice of ordinary people coming face-to-face with the miraculous and trying to work out what it means.
Jones is attempting something heroic here, to clear away our preconceptions and expectations about Jesus and try to imagine what it might have been like to hear that message for the first time.
"The Sermon On Exposition Boulevard" is a record that has no precedent.
Anyone else out there working at that level? Well, Lucinda Williams pretty much lives at that level. You can pick up any Lucinda album and you will come away with music that is raw and real, as well as being smart and rigorous. She’s never made the same album twice, so if you're just starting out and want to play it safe, go for her Grammy-winning "Car Wheels on a Gravel Road" or the folk-rock "Lucinda Williams."
But if you are already a Lucinda loyalist, you’ll want to know that her latest album, "West," finds her close to the end of her rope, dealing with rotten boyfriends, the death of loved ones, and a general feeling that the ship is going down and there’s no one at the wheel. It takes a real artist to shape anger and sadness into something that is compelling and useful to other people. Lucinda Williams is a blues singer in the best sense. She takes negative emotions and bad situations and holds them up so that the light shines through.
These days the pop charts are full of silly girls who seem to spend less time thinking about the music they make than the parties they go to and clothes they don't wear. Patty Griffin, Mavis Staples, Rickie Lee Jones and Lucinda Williams are all smart, experienced and immensely talented adults.
Their music may not get a lot of play on the radio, but their songs will still be speaking to and moving listeners when the pop tarts are forgotten.
The real thing's back in town.
Click here to watch Patty Griffin perform at The Artist Den in New York City
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I'm sure every serious musician is cringing from your post.
Music is and should be educational, thought provoking, inspiring, and entertaining. Sorry if you think getting up to a mich and belting out a tune is just pure, impulsive fun and should have nothing to do with intellect or agenda.
My god...the anti-war songs of the 70s all had a message. What do you listen to that has nothing of value to add to the song? "I liked the beat..' was a coined phrase from the teeny-boppers on American Bandstand...but they grew up.
%u201CThe Perfect Poor%u201D should be interviewed and asked how they feel about being described as 'nothing of value...just mindless fun for the mindless.'
I think there are some great men out there playing some really wonderful music, as well....heartfelt, thoughtful and intentional...AND the women mentioned in this segment are amazing and he was right on in referring to them. He couldn't possibly mention ALL the great female singers...I would suggest checking out MICHELLE MALONE, however...she's in their league. I do believe women in music get the short end of the stick. Especially women in rock and roll...
My boyfriend and I both laughed when we heard this line. We both understood where Bill was coming from with this. I've used the term "pop tarts" myself in terms of some of the quick flash pop artists that come and go - instantly popular and just as instantly forgotten. It's the women of substance that we want to hear again and again.
Every now and then I start to think we are finally moving past the oh-so-dated discussion about gender and intelligence, and then along comes someone like Mr Flanagan who feels compelled to take the position that musical creativity is some sort of gender based competition. I'm pretty sure Mavis Staples, Rickie Lee Jones, Patty Griffin, and Lucinda Williams don't see it that way.
Mr Flanagan should have reviewed these artists for what they are--talented artists. No need to point out that they are all women. The viewing and listening public can figure that out for themselves.
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by
July 23, 2007 5:05 PM PDT
- I think there's a a good deal of stuff in Bill Flanagan's commentary to agree with... but, Mr. Flanagan seems to be more in love with poetry and prose than music. 'Cause the actual music that is found on the works he discusses is mediocre at best. I, however am intested at least as much if not more in the MUSIC aspect of MUSIC. Never mind what she's saying in most of her songs... listen to the beauty of the musical phrases Joni Mitchell gives us on her guitar, piano and dulcimer. Listen to it haunting ring, its classical value perfection. Listen to "Songs to Aging Children Come" "Cold Blue Steel and Sweet Fire" "I Had A King" and "Dawntreader." And on and on. And Judy Collins' "The Sisters of Mercy" and "Albatross." Some of Dido's stuff, Norah Jones, etc. etc. Gimme some music. Not 'downer' prose with music in the background to make it deliverable to the masses. Mr. Flanagan... be part of the solution to the withering away of soundly created music... not part of the problem. Pleeeeze! Vince
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