Gabriela Montero's Gift

How A Piano Virtuosa Rocks The Music World By Improvising Old Classics

(CBS)  In the world of classical music there is a great divide: between the remarkably talented who will never make it and the truly gifted. The gift, in the case of Gabriela Montero, is an ear, or brain, or something that allows her to not just play the notes that Beethoven wrote 200 years ago, but to improvise, to riff on Beethoven the way Jazz musicians routinely do with their music.

Making it up as you go along, for classical musicians, can be suicidal in that extremely uptight world. But Gabriela, a young Venezuelan-born American pianist manages to get away with it. As correspondent Morley Safer reports, her sheer talent has won over the critics. It’s an amazing gift that came naturally and very, very early.

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Asked if her family was musical when she grew up, Gabriela tells Safer, "No. Still they’re not. No, no, no. I come from a completely normal family."

By the time she was eight years old, it was clear there was nothing normal about Gabriela Montero’s talent: she was featured on Venezuelan television, playing Chopin. And even then, she couldn’t wait to finish and start making up her own music.

"It was always the most pleasurable thing and the most fun. I just sat down and improvised," she says. "It’s how I communicate the best. The way I see it is that music is not something that’s scholarly, but a means to an end. You know, to tell the stories that I want to tell."

You would think, given her early start, that Gabriela Montero's career path would have been straight and uncomplicated.

But you'd be wrong. For in the starchy world of classical music, she is something of a misfit, right down to the tips of her remarkable fingers.

Asked if she has the hands of an artiste, Gabriela says laughing, "I hope so. Because you know, I don’t find them particularly pretty."

"They’re small. They look very big when I play, which is really funny. People think I have mammoth hands, but I don’t," she says.

People can be forgiven for that. Gabriela Montero’s hands make music that is dramatic, passionate and larger than life.

"Do you, in your most idle moments, are you hearing music?" Safer asks.

"All the time. It’s a 24 hour radio," she says, laughing. "And I cannot shut it off, it is the worst part."

She is the hottest rising star in the classical music world, and the most controversial, as well.

That’s because of her double life: in London one night, playing the classics at Queen Elizabeth Hall, in New York another night, improvising at Joe’s Pub, playing Bach's Toccata.

Improvising, sitting down and playing whatever comes into your head, is what Jazz musicians do. "I can’t tell you how much fun it is to improvise," Gabriela tells Safer. "I just love it."

In their days, Bach, Beethoven and Mozart did it too. But in the classical world, the practice died out a century ago. And today, improvisation is still largely frowned upon.

"It’s spontaneous creation. It’s spontaneous music making. And is it perfect? I don't know. It’s not, I mean it’s something that is just born and dies," Gabriela says.

Inspiring !!!
THANK YOU CBS
Please provide the video online !!!
Classical music needs to reinvent itself and hopefully this is a sign of better times ahead.
d|b

[kiwiak]

It is so sad that we as people do not understand that music is alive. Gabriela Montero gives new life to old music, not in an effort to interpret the original writers vision but to expand it. I really enjoyed hearing what she is doing with the music. Listen to all the Masters, once they mastered the music they extemporised.

[goodsamarata]

It is because of Gabriela Montero that I learned classical music had always had elements of improvisations in it until someone in the early 20 century came up with the idea that classical scores should be rigidly interpreted. How boring it is to hear the same pieces done exactly the same way by just about everyone and that's why I avoid going to classic music concerts. There are, of course, some classical pieces that I just can't resist seeing them played live. But I hope Montero will inspire a change in this industry before it goes the way of Catholic priests who are not allowed to marry: Forgotten and ignored by most, while driving newcomers away because of their frigid ideology.