The Art Of Image Altering
Today's Technology Allows Picture Manipulation Into Images Very Different From The Original
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A photo of John Kerry and actress Jane Fonda at an anti-Vietnam rally is a combination of two separate photographs. (CBS)
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Photo Essay Matt Mahurin's Illustrations Matt Mahurin is one of the most sought-after photo illustrators in the publishing industry, using technology to alter photographs in unique ways.
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Photo Essay Saddam's Digital Makeover See images digitally altered by the U.S. military to aid troops on the hunt for the former Iraqi dictator.
Dove soap produced a short film that details the full Madison Avenue beauty process complete with computer manipulation that stretches the model's neck and adjusts her eyes to a size you'd never see on an actual person.
"You know it's so hard to be human in the face of all this stuff," writer for Adweek Magazine, Barbara Lippert, said. "And I think for young girls, it's really important to see this. Because, you know, there's no plastic surgery right now that can elongate your neck or make your eyeballs twice the size that you were born with. And so, all this illusion, all of this fantasy of what you want is just based on such non-reality that it really makes you crazy."
Very few digital artists walk that line between fantasy and reality as often or as successfully as Matt Mahurin. If you've visited a newsstand in the past 20 years, chances are you've seen his work in Rolling Stone, Esquire and G.Q. He has done about 40 covers for Time. He works alone in a spare New York studio, using only a small camera, a computer and — more often than not — his own face.
"I just painted my beard white and went out and got a coat and these Freud glasses," he said, referring to a 1993 cover of Time which featured a story on Sigmund Freud.
Weirder still, on another Time cover of a caveman it's Mahurin's face again, digitally reworked. On the Time cover after the Abu Ghraib revelations, Mahurin used a manipulated photo he took of himself to make an image of what appeared to be a torture victim.
"I think probably the way it's labeled inside the magazine is photo-illustration," he said.
Mahurin's most controversial work was the 1994 O.J. Simpson's mug-shot. Mahurin darkened the image, a step that he saw as editorial but others read as racist.
"My situation was, is that my work is taken in context ... I work dark images," he said. "I do dramatic images. I don't do -- you know, I don't do brightly colored things. I don't do greeting cards, I do dark images. And to me this was a dramatic moment. I've always believed in the power of images, and so for me that was, you know, that was all part of it. It's an experience that I would not wish on anybody, but I would not have traded it for anything either."
What we don't remember is the caption on the cover. The words, the explanation, are irrelevant: It's the image that's king in the end. Seeing is believing, but there are methods for telling the altered photos from the real thing.
"When you compare those two swatches, these four dots, I call them truth dots, which proves mathematically that this image has been doctored since it came out of the camera," Story said.
The images insist that we be as sophisticated as the software that's used. "The analogy I always like to draw is, imagine a pile of sand," Strong said. "And when does it go from a couple of grains of sand to a pile? And surely, taking one grain of sand on and off doesn't fundamentally change the pile of sand. But at some point, it's no longer a mound of sand, and it's just a couple grains. But where did that transition happen?
"And it's the same thing with an image. When you start disturbing pixels — little elements of an image — is one okay? Is two okay? Is three okay? And when does is stop becoming okay? And I don't think there's a simple answer to that."
Maybe it's a little like cosmetic surgery: if you've had too much, then you don't look like yourself anymore.
Best-selling author Mitch Albom on his first nonfiction work since "Tuesdays with Morrie."





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