Email This StoryPrint This Storydel.icio.us, DIGG




Cuban Singer's Soulful Revolution

Grandfatherly Guitarist Captivates Cuba's Youth With Politicized Lyrics


Cuban folk singer Pedro Luis Ferrer (LYGIA NAVARRO)



Answers.com

(Christian Science Monitor) 

In addition to the earnings from his foreign recordings, Ferrer receives a monthly paycheck of about $20 from a government cultural institution, which is a help, he says, "It covers the electric bill."

Instead of seeing himself as a victim of censorship, Ferrer's vision of the turns his career has taken is much more nuanced.

"It was a partial censorship, some of my songs were allowed while others were not," Ferrer says, sitting on the veranda of his home in a suburban Havana neighborhood. "I decided that I did not want to be told what I could or could not sing, so I intentionally removed myself from the official circuit."

The consequences of this split were not always easy for Ferrer: money was hard to come by for years, friends and colleagues turned their backs on him, musical institutions refused to sponsor his projects or his petitions to perform abroad, and he has been visited by officials from the state security agency.

Yet Ferrer has maintained two staunch positions in the face of such difficulties. His belief in freedom of speech is stronger than ever, evidenced by the commitment with which he carries on heated political and philosophical discussions on his front porch (which is perched on a well-traveled street corner). And his commitment to his own country has not waned. When asked if he has ever thought about leaving Cuba permanently, Ferrer's answer echoes that of other intellectuals. He says simply, "Why should I? It is my country."

While other outspoken critics of the government have faced harsher consequences, 75 journalists and other dissidents were arrested en masse in March 2003, Ferrer has been painstakingly careful with his words and actions to avoid trouble.

At the same time that he is openly critical of aspects of the government, he acknowledges Cuba's strengths, and it is clear that he is torn between hopes for the future of his country and the ideals of his Revolutionary upbringing.

Many of Ferrer's younger fans welcome this complexity, which goes beyond the often black-and-white ideology showcased on the nation's four state-run television channels. "Ferrer was almost erased from the Cuban consciousness because of his beliefs," says his fan, Gilberto Martínez. "Some people don't like his music, but I think that his criticism has been reasonable and constructive."

   1  |   2  |  3  




Share & Save: Tag With del.icio.usDigg This          E-Mail This StoryPrintable Version


Back To Top Back To Top



State support vs. free expression
Cuba's support of art since the 1959 revolution has been full of contradictions: The Socialist government has both glorified art and censored artists.

The nation's art schools educate students free of charge. After graduating, many artists are given government-sponsored positions which afford them materials, time, space, and support to show and sell their work. Artists have access to economic perks unavailable to ordinary Cubans. They are able to sell their work to tourists, and are generally able to make a living.

The most successful artists are known as The Sacred Cows because they enjoy exhibition and travel opportunities. Those whose work does not receive official approval because it criticizes the government find themselves censored or ignored.

While some musicians and visual artists who left the island have enhanced their careers, others have worked at entering the international market while maintaining their connection to Cuba. Due to restrictions, Cubans must request permission to leave the country, and air travel is prohibitively expensive, artists' ability to travel depends in part on their involvement with government institutions and connections abroad.

U.S. policy toward Cuba, which includes the 1960s-era trade embargo, has affected Cuban artists. In the past two years, most visa applications for artists have been denied, a rare exception being the 43 cabaret performers who defected en masse in Las Vegas in November.

At the same time that U.S. and global interest in Cuban arts is increasing, museums from Minnesota to California have had to contend with Cuban artists being prevented from attending their own shows.

Christian Science Monitor






The Christian Science Monitor is an independent daily newspaper, with news from around the world to help you understand this changing world.