
(CBS)
It's Thursday, and that means it's time for the Public Eye Chat. This week's subjects are CBS News producer
Phil Hirschkorn and CBS News chief investigative correspondent
Armen Keteyian.
Matthew Felling: You’ve covered terror plots in the past: 9/11, the London transit bombings.

(CBS)
What knowledge did you acquire through those that you were able to use with the JFK bomb announcement?
Phil Hirschkorn: Past terrorism trials teach us the difference between a real Al Qaeda plot and something else. And most of the post-9/11 cases are usually something else. With the JFK plot, you’re trying to determine whether this is the real deal against the real enemy, Al Qaeda, or something else. The first question I can ask is “Who are these guys and are they tied to Al Qaeda?” Once the answer is no, and it usually is no, your blood pressure goes down a notch because it’s not that it makes the story less serious, but it makes it slightly less spectacular or less imminent.
Matthew Felling: How much do you balance how you report on terrorism against the fact that terrorists, some think, are aiming at a wider audience more than the actual victims? Does that concern ever enter your reporting?
Armen Keteyian: Absolutely yes. That’s the first question I’ve learned to ask are “How does this fit into the bigger picture?” and “Beyond the drama of the moment and the breaking news on the cables, what does this mean?” and “Who are these people?” There’s a lot of agendas working here. There is certainly the news of the day and the reality of the moment. Then there’s the agenda of law enformecent and anti-terror efforts and political funding for those efforts to how much does that play into public news conferences and public displays of terror suspects. Then there’s the other side, the public’s right to know and to calm fears. And then there’s another side, the political motivations of the terror groups themselves. All of that is being judged, often in real time under pressure to put something on the air that evening. So words and language and choosing sound are all factored into the equation, as far as the tone and temperament of the piece.
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