10 Questions For Cyndi Lauper
Tony Maciulis is a CBS News producer based in New York.
Don’t call it a comeback. Cyndi Lauper has never left the scene.
What she has done in the 25 years since "She’s So Unusual" is experiment, stretch her skills, and thumb her nose at an industry that loves its talent delivered in easily definable boxes. Admittedly, that isn’t always a recipe for commercial success.
"Bring Ya to the Brink" is Lauper’s first album of original material in 12 years, and a world apart from the moody, raw covers on "The Body Acoustic" or "At Last." It’s full on, sweaty, gritty dance. Not the overly electronicized version one generally hears from pop divas of a certain age, but a kind of sound that says “retro” in a good way. “Into the Nightlife” will wear a groove into your iPod as you click play again and again, transported to the Limelight circa 1995. It’s infused with dry ice and beer stains, like the club scene before it was wrapped in velvet.
The album won critical praise and a Grammy nod.
Lauper’s a contender this Sunday in “Best Electronic/Dance Album,” more than two decades after winning the Grammy for “Best New Artist” in 1985. What follows is an e-mail interview.
1. How do you go from covering “La Vie En Rose” to a full-on dance album?
I have been lucky enough as an artist to be able to shift gears easily and jump into various genres, so I don’t really see it as a stretch ...

(CBS)
What she has done in the 25 years since "She’s So Unusual" is experiment, stretch her skills, and thumb her nose at an industry that loves its talent delivered in easily definable boxes. Admittedly, that isn’t always a recipe for commercial success.
"Bring Ya to the Brink" is Lauper’s first album of original material in 12 years, and a world apart from the moody, raw covers on "The Body Acoustic" or "At Last." It’s full on, sweaty, gritty dance. Not the overly electronicized version one generally hears from pop divas of a certain age, but a kind of sound that says “retro” in a good way. “Into the Nightlife” will wear a groove into your iPod as you click play again and again, transported to the Limelight circa 1995. It’s infused with dry ice and beer stains, like the club scene before it was wrapped in velvet.
The album won critical praise and a Grammy nod.
Lauper’s a contender this Sunday in “Best Electronic/Dance Album,” more than two decades after winning the Grammy for “Best New Artist” in 1985. What follows is an e-mail interview.
1. How do you go from covering “La Vie En Rose” to a full-on dance album?
I have been lucky enough as an artist to be able to shift gears easily and jump into various genres, so I don’t really see it as a stretch ...





