The reasons, she said, are simple: her family laid a strong foundation for her, she has great friends and she appreciates her position.
"I genuinely feel so lucky to get to do what I do," Moore, 23, told The Early Show co-anchor Hannah Storm. "That there's part of me that would never do anything to jeopardize this, this opportunity. It's not my cup of tea any at the end of the day, anyway. I work really hard at what I want to do. I'm just tired at the end of the day."
Moore grew up in show business and signed a record deal at 14. She became a star at 15 with songs like "Candy." Moore said she always felt she had more responsibilities than her peers and that, recently, she wanted to become more in control of her career.
"I'm an upbeat sort of person, so I'm confused as to why this period hit me out of nowhere but I find it really therapeutic and very cathartic to write," she said. "It was my way of dealing with stuff. I look forward to, like, writing for the next record already. I have so much material now and I have this perfect outlet for it."
Moore stars in "License to Wed" with John Krasinski of "The Office." They play a young engaged couple hoping to get married in the church of their dreams. Their reverend, played by Robin Williams, is making them go through pre-marriage boot camp, which is mandatory in order to be married by him. He makes them do many absurd tasks such as role play and act as parents to ornery robotic twins.
"He's just incredible," Moore said of Williams, "and such a gem of a person. But he has a lot of energy. And you can't go toe to toe with him. I mean, he's a comedic genius. I knew in the movie I'm the straight man. I'm the girl. I just sort of sit back. I had a free stand-up show every day on set. It was perfect."
One thing Moore did take from the scenes with mechanical babies was that she can hold off on motherhood for a while.
"It was no fun," she said. "Those babies were, like, temperamental. I think more so than regular children would be."