Patty Andrews of The Andrews Sisters dead at 94

LOS ANGELES Patty Andrews, the last surviving member of the singing Andrews Sisters trio whose hits such as the rollicking "Boogie Woogie Bugle Boy of Company B" and the poignant "I Can Dream, Can't I?" captured the home-front spirit of World War II, died Wednesday. She was 94.

Andrews died of natural causes at her home in the Los Angeles suburb of Northridge, said family spokesman Alan Eichler in a statement.

Patty was the Andrews in the middle, the lead singer and chief clown, whose raucous jitterbugging delighted American servicemen abroad and audiences at home.

She could also deliver sentimental ballads like "I'll Be with You in Apple Blossom Time" with a sincerity that caused hardened soldiers far from home to weep.

From the late 1930s through the 1940s, the Andrews Sisters produced one hit record after another, beginning with "Bei Mir Bist Du Schoen" in 1937 and continuing with "Beat Me Daddy, Eight to the Bar," ''Rum and Coca-Cola" and more. They recorded more than 400 songs and sold over 80 million records, several of them gold (over a million copies).

Other sisters, notably the Boswells, had become famous as singing acts, but mostly they huddled before a microphone in close harmony. The Andrews Sisters -- LaVerne, Maxene and Patty -- added a new dimension. During breaks in their singing, they cavorted about the stage in rhythm to the music.

Their voices combined with perfect synergy. As Patty remarked in 1971: "There were just three girls in the family. LaVerne had a very low voice. Maxene's was kind of high, and I was between. It was like God had given us voices to fit our parts."

The Andrews' rise coincided with the advent of swing music, and their style fit perfectly into the new craze. They aimed at reproducing the sound of three harmonizing trumpets.

"I was listening to Benny Goodman and to all the bands," Patty once remarked. "I was into the feel, so that would go into my own musical ability. I was into swing. I loved the brass section."

Unlike other singing acts, the sisters recorded with popular bands of the '40s, fitting neatly into the styles of Benny Goodman, Glenn Miller, Jimmy Dorsey, Bob Crosby, Woody Herman, Guy Lombardo, Desi Arnaz and Russ Morgan. They sang dozens of songs on records with Bing Crosby, including the million-seller "Don't Fence Me In." They also recorded with Dick Haymes, Carmen Miranda, Danny Kaye, Al Jolson, Jimmy Durante and Red Foley.

The Andrews' popularity led to a contract with Universal Pictures, where they made a dozen low-budget musical comedies between 1940 and 1944. In 1947, they appeared in "The Road to Rio" with Bing Crosby, Bob Hope and Dorothy Lamour.

The trio continued until LaVerne's death in 1967. By that time the close harmony had turned to discord, and the sisters had been openly feuding.

Bette Midler's 1973 cover of "Boogie Woogie Bugle Boy" revived interest in the trio. The two survivors joined in 1974 for a Broadway show, "Over Here!" It ran for more than a year, but disputes with the producers led to the cancellation of the national tour of the show, and the sisters did not perform together again.

Patty continued on her own, finding success in Las Vegas and on TV variety shows. Her sister also toured solo until her death in 1995.

Her father, Peter Andrews, was a Greek immigrant who anglicized his name of Andreus when he arrived in America; his wife, Olga, was a Norwegian with a love of music. LaVerne was born in 1911, Maxine (later Maxene) in 1916, Patricia (later Patty, sometimes Patti) in 1918, though some sources say 1920.

Listening to the Boswell Sisters on radio, LaVerne played the piano and taught her sisters to sing in harmony; neither Maxene nor Patty ever learned to read music. All three studied singers at the vaudeville house near their father's restaurant. As their skills developed, they moved from amateur shows to vaudeville and singing with bands.

After Peter Andrews moved the family to New York in 1937, his wife, Olga, sought singing dates for the girls. They were often turned down with comments such as: "They sing too loud and they move too much." Olga persisted, and the sisters sang on radio with a hotel band at $15 a week. The broadcasts landed them a contract with Decca Records.

They recorded a few songs, and then came "Bei Mir Bist Du Schoen," an old Yiddish song for which Sammy Cahn and Saul Kaplan wrote English lyrics. (The title means, "To Me You Are Beautiful.") It was a smash hit, and the Andrews Sisters were launched into the bigtime.

Their only disappointment was the movies. Universal was a penny-pinching studio that ground out product to fit the lower half of a double feature. The sisters were seldom involved in the plots, being used for musical interludes in film with titles such as "Private Buckaroo," "Swingtime Johnny" and "Moonlight and Cactus."

Their only hit was "Buck Privates," which made stars of Abbott and Costello and included the trio's blockbuster "Boogie Woogie Bugle Boy from Company B."

In 1947, Patty married Martin Melcher, an agent who represented the sisters as well as Doris Day, then at the beginning of her film career. Patty divorced Melcher in 1949 and soon he became Day's husband, manager and producer.

Patty married Walter Weschler, pianist for the sisters, in 1952. He became their manager and demanded more pay for himself and for Patty. The two other sisters rebelled, and their differences with Patty became public. Lawsuits were filed between the two camps.

"We had been together nearly all our lives," Patty explained in 1971. "Then in one year our dream world ended. Our mother died and then our father. All three of us were upset, and we were at each other's throats all the time."

[MrLiterally]

God Bless her.

[johnlockesghost]

They forgot to mention "Bell Bottom Trousers, Coat of Navy Blue" as one of their more raucous hits. I watched them do a performance during a break in a baseball game at Griffith Stadium in Washington, D.C. during WWII. The most risque line in the song was "Bell bottom trousers coat of Navy blue, She loved a sailor and he loved her too, They didn't have a daughter and they didn't have a son, but they had a helluva lot of fun"

[jaykay3141]

Not even The Supremes could top THIS "girl group". They were the best! I just hope they'll now have the peace that eluded them in this lifetime.

One trivia tidbit: according to historian George T. Simon, their performances with Glenn Miller weren't exactly a guest appearance. It was early 1939 and the execs at NBC were doubtful that Miller would be successful. They featured the better-known sisters on his show as a way to draw more listeners. Of course by late summer Downbeat's polls showed that they had nothing to worry about!

[CTwildheart65]

Definitely before my time, but heard them thanks to my mom. I was a kid when Bette's version came out and I love that one too. Too bad about their 'feud'...especially after losing their parents when they really needed each other. Hopefully they are all hugs now and can rest in peace. I am truly thankful for what they have given the musical world. <3

[gramljon]

Boogie Woogie Bugle Boy was THE song, for me, that epitomized the USO spirit of backing the troops during World War II. Thanks for the article. It reminds me of my parents and all that they went through during World War II including my dad receiving a Purple Heart when his ship was hit by a kamikaze and my mom working as a dietician back in the States. The Andrew Sisters were a part of that.

[justme-123]

Their heyday was before my time, but once I began broadening my musical horizons I learned that these gals were GOOD! And not at all hard on the eyes either, duh (I'd have sat under the apple tree with any of them). Sad they had a falling out, and of course, even sadder they're now all gone, but they live on thanks to this new Interweb thingy.