Revised statue of Pope John Paul II unveiled in Rome

This combined picture shows Italian sculptor Oliviero Rainaldi's statue of Pope John Paul II before its restoration, (left, on May 20, 2011), and at its inauguration after the restoration, in Rome, Monday, Nov. 19, 2012. / AP Photo/Gregorio Borgia
ROME The city of Rome unveiled a revamped statue of Pope John Paul II on Monday after the first one was pilloried by the public and the Vatican.
Artist Oliviero Rainaldi said he was pleased with the final product, saying it matched his original vision. He blamed workers for a botched assemblage the first time around.
When the larger-than-life statue was first unveiled in May 2011, it was widely criticized by passers-by as looking more like Fascist dictator Benito Mussolini than the beloved Polish pope. The Vatican's own art critic wrote that it looked like a "bomb" had landed.
That few could recognize it as honoring John Paul was a "sin," critic Sandro Barbagallo declared.
Rome's mayor quickly assembled a committee of art experts, culture officials and scholars to work with Rainaldi to make the sculpture match what had been approved in his sketches.
Rainaldi said the work involved "small corrections" to the "errors" made during the initial assembly.
This combined picture shows Italian sculptor Oliviero Rainaldi's statue of Pope John Paul II before its restoration (left, on Sept. 23, 2011), and at its inauguration after the restoration, in Rome, Monday, Nov. 19, 2012. Rainaldi, who blamed foundry workers for a botched assemblage the first time around, says he's pleased with the final product, saying it matches his original vision.
/ AP Photo/Gregorio BorgiaThe revisions unveiled Monday focus on the pope's face: he smiles now and has a neck and more defined chin rather than a stern expression on a bowling-ball-shaped head. His outstretched arm with his cloak opened in a gesture of welcoming and protection is straightened out.
The bronze's greenish hue is also evened out, the dark brown stains that marked the head and cloak mostly removed. And the statue now has its own enclosed pedestal rather than the patch of grass and bush that surrounded it previously.
Umberto Broccoli, Rome's superintendent of cultural heritage, said it was only natural that the work would elicit a range of opinions, saying Italy is a country of 50 million soccer referees, 50 million art critics and 50 million politicians.
"With contemporary art, you have to wait for years to pass before judging it," he told reporters at the site, located in front of Rome's main train station.
Still, passers-by on Monday were not shy about offering their opinions on the statue's (second) inauguration day.
"It's much better than before," said Marco Felici, a 53-year-old road worker who watched the unveiling ceremony with the rest of his neon orange-clad road crew. "The face is better and the neck. They did a good job this time."
Commuter Alberto Donella, however, wasn't convinced.
"It's not him. It's not him," he said as he walked by the statue. "He was joyful. He was nothing like this here. For me it still looks like a refrigerator."
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"Rainaldi said the work involved "small corrections" to the "errors" made during the initial assembly."
You're kidding, right? Where was he during the "assembly"? "Small" corrections?
Regardless of what you think about the art, the man failed to insure that "his" work was properly created. I certainly hope he footed the bill for the recreation of his work.
Artists must be allowed freedom of interpretation, for without that freedom their work ceases to be art and instead is reduced to technique alone.
That being said, the restoration of this statue goes a long way toward improving the vision this artist wanted to create in the first place.
We should be grateful he was willing to do it.
I'm not saying this statue is pleasing to my eye, because it is not, only that it is certainly not my place to tell an artist how to envision his work.