October 16, 2011 7:13 PM

The life and death of Vincent van Gogh

The "Lust for Life" version - with Douglas at his teeth-gnashing best - draws on a story that Adeline Ravoux told many years later: that Vincent had been bothered by crows as he painted, and borrowed a gun from her father to keep them away. But:

Naifeh: He loved birds. The idea that he would feel a need to scare away crows just never made any sense.

Did he have suicide in mind? The painting in the film does seem to carry a dark prophecy: the crows, harbingers of death.

For years, that painting - "Wheatfield with Crows" - was thought to be Vincent's last work, his own visual epitaph. But:

Naifeh: In fact it seems to have been painted about July 10th, which is more than two weeks before he died. And he painted a lot of very happy paintings after that.

In many of his letters, van Gogh did write of considering suicide, but always rejected it, concluding that such an act would be both sinful and immoral. What we only know for sure is that a gun was present on that day and Vincent was shot.

The gun and the painting supplies were never found. And the suicide story presented other problems, beginning with the distance from the wheat fields to the Ravoux Inn, about a mile or more. It would have been a long hike over rough terrain for a badly wounded man.

Naifeh: How did he climb through these vast wheat fields and down the escarpment into town? It's a rather difficult journey, and extremely difficult to imagine that in that physical condition he could have made that trip.

The authors believe he didn't. Their research turned up a story handed down through an Auvers family over the years - of a man who saw Vincent just before the shooting - not in the wheat fields, but here in town on the Rue Boucher, a street of small houses with enclosed farmyards.

Safer: Were there any witnesses or people who heard the shot?

Naifeh: Yes. The woman whose grandfather told her the story said that he heard the gunshot in one of these farmyards and later went back and could find no evidence of what had taken place. But he heard the gunshot take place in the farmyard.

And from here, it would have been easier for Vincent to get back to the Auberger Ravoux.

Safer: He would stagger down the street and then make what, a left turn?

Naifeh: A left turn toward the Auberge.

Safer: And how far is that, roughly?

Naifeh: About half a mile. So it would have been still a struggle, but less of a struggle than climbing down the rough ground of the wheat field.

To Naifeh and Smith, Auvers yielded more contradictions. In this house lived Paul Gachet, a doctor Vincent saw from time to time - and even painted. Doctor Gachet drew this sketch of the artist on his death bed after examining him. He found the bullet was lodged in Vincent's abdomen: a curious way, it would seem, to attempt suicide.

Smith: The doctors told the police that the trajectory of the bullet was from, was at a crazy angle. And that the gun was held at a distance from the body, and even perhaps too far from the body for Vincent to have actually been holding the gun.



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